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gallaghejas not that you (or anyone else) could learn it just from tuning in, but I highly recommend tuning in to Inna Faliks's livestream on the whole Gaspard next Tuesday.
Mat FYI tonebase is releasing a lesson on L'isle Joyeuse with Louis Schwizgebel this summer. I suppose not the easiest Debussy to start with, if you're just beginning... but I'm sure you'll enjoy what he has to say. By the way, have you tried poking around at any simpler Debussy pieces? We've got plans to produce lessons on the Arabesques and some Children's Corner later this year.
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Ben Laude said:
By the way, have you tried poking around at any simpler Debussy pieces? We've got plans to produce lessons on the Arabesques and some Children's Corner later this year.Hi Ben, I haven't yet. It's just a little too "out there" for me right now. Being a part time RCM Grade 2 student, I'm trying hard to preserve my sanity by playing things close my level: preludes, minuets, sonatinas (around Henle 3-4)... So Debussy will wait a while. But I absolutely WILL be watching the Schwizgebel lesson! Thanks!
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Performing one of Rachmaninoff's Concerti would be a dream but seems less attainable than solo works given how challenging it is for amateurs to perform with an orchestra.
From the solo repertoire, Liszt's B minor Sonata is at the top of my bucket list. The thematic transformation through the entire work is mesmerizing. It has been one of the most satisfying pieces I've worked on. I learned all of the notes many years ago and revisit it when practicing every 6 months or so. I usually just focus on a few pages at a time though which makes the prospect of performing the entire thing with a cohesive interpretation seem overwhelming.