Study Group #1: Chopin's Prelude in E minor

Welcome to our very first Study Group — a space for collaborative, peer-led learning!

 

We’re starting with one of the most moving works in the piano repertoire: Chopin’s Prelude in E minor, Op. 28 No. 4.

Why this piece? Because we’re leading up to the International Chopin Competition, and what better way to prepare than by immersing ourselves in Chopin’s language together. This isn’t a formal class — it’s a chance to learn side by side, share ideas, and discover new layers of the music. I’ll be working on the piece right along with you, and I can’t wait to see what insights we uncover as a group.


🗓️ What to expect:
Starting September 8th, we’ll explore:

Melody and balance — bringing out the singing line above the chords
Left-hand harmony — keeping the pulse steady and clear
Rubato and expression — shaping time without losing flow
Tone and pedaling — finding colors that bring the Prelude to life
Your own questions, discoveries, and perspectives!

 

We’ll also meet for two live Zoom sessions to share progress, exchange ideas, and celebrate our work on this piece. (Times and clickable links below!)
 

Livestream Presentation: September 11th at 11am PT

Zoom session #1: September 11th at 11:20am PT

Note: This zoom session will start with approximately a 15-20 minute short lecture and deep dive on the piece with Dominic, before we dive into all of your questions and conversations!

 

Zoom session #2: September 19th at 11am PT


✅ How to participate:

  1. Sign up Here!

  2. Download or open the score for the Prelude in E minor

  3. Introduce yourself below!

  4. Join the prompts and discussions

  5. Share your thoughts, questions, or even a short recording if you’d like

Zoom Study Group #2 Video!

https://youtu.be/fvAsw5bfgKE

 

Dominic's Annotated Score Here!

Annotated Score link

132 replies

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    • In love with medicine, airplanes, tango and piano
    • Aleksandra_Bogomaz
    • 3 wk ago
    • Reported - view

    Ok I’ll bravely share this far-from-perfect try to play this piece. Main challenge for me is voicing in the LH while balancing RH. The advice on how to play LH chords helped me tremendously, thanks Dominique.

    I’m still not fully secure in the text, so I cannot fully express my feeling of the atmosphere as I’m tense to hit the right notes and emphasize the underlying LH “melody” changes (more-less-than-more successfully 😂). Anyway, this is the point to continue on progressing. Looking forward to the feedback 🙂.

    https://youtube.com/shorts/paeGpVK3_u0?si=YcRX1YaspkFTAfmq

      • Andrew_Smith
      • 3 wk ago
      • Reported - view

       Thank you for sharing that Aleksandra -- it seems to me you are well on your way to playing this really well. Since you wrote that you are open to feedback, perhaps one practice method/way of building the piece would be to focus just on sections instead of the whole piece (like, split the first 12 measures into the 3 groups of 4 measures each (e.g, "b" is the sustained RH note for first 4, then "A" is sustained RH note for next 4, etc)) and work on playing with a flowing pulse (maybe a bit faster, to feel the large 2 counts per measure) just through those 4, measures, then the next 4, then connect to 8 measures, etc. Perhaps!

      • Randi
      • 3 wk ago
      • Reported - view

        beautifully played. Your melody sings over the soulful accompaniment. The hardest part for me is getting the LH chords even. Maybe then I can control it enough for some voicing. Maybe I'll never get there. 🤷🏼‍♀️

      • In love with medicine, airplanes, tango and piano
      • Aleksandra_Bogomaz
      • 3 wk ago
      • Reported - view

       thank you, being used to Russian school, I’m actually craving for feedback - my professors usually chop me to pieces bar by bar, but for me that’s just fine as then I know what to do. Thank you very much, I’ll do it - it will help that the melody doesn’t stuck here and there, will automatize LH and harmonic changes which I want to bring out better and liberate my RH for lamenting and crying all over. 

      • In love with medicine, airplanes, tango and piano
      • Aleksandra_Bogomaz
      • 3 wk ago
      • Reported - view

       hey dear! Thanks a lot. Perhaps try what Dominic suggested - using fingers 1, 2 and 3 in LH whenever possible. It’s much easier to control the chord and the tone yu want to sound a bit louder. To me it helped. Obviously I can’t do it everywhere, but where I can, makes my life easier.

      • Victoria_Macdonald
      • 3 wk ago
      • Reported - view

       Did he say that? I thought he said 1-3-5. I'll have to rewatch the video. I tried 1-3-5 at the beginning and my teacher is insisting 1-2-4 makes a smoother transition to the F# in the base. Everyone's got an opinion 😂

    • Karen_Monroe
    • 3 wk ago
    • Reported - view

    Can someone share what was talked about regarding the left hand voicing at the zoom? I couldn't make it. Thank you!

    • Victoria_Macdonald
    • 3 wk ago
    • Reported - view

    I've been diligently practicing this prelude, but this morning my husband asked that I please put on my headphones (I have a hybrid piano). He didn't like the piece and thought it was "icky." I must admit, I tend to play the more melancholic pieces, but I think this lugubrious prelude finally pushed him over the edge. I still think it's a gorgeous piece and I'm enjoying playing it and discussing it with all of you. Just wanted to let you all know, some folks might find it "icky." 🤗

      • Janet_Horsford
      • 3 wk ago
      • Reported - view

       🤣

      • Surgeon
      • Docstargazer
      • 3 wk ago
      • Reported - view

       😂 Learn Liszt's Lugubre Gondola next! He’ll love it!😂

      • Randi
      • 3 wk ago
      • Reported - view

       I find I'm apologizing to my husband when he's in the room. I don't want him to do anything drastic at the end. I don't have the option of head phones. But he does. 😆

    • Kerstin
    • 3 wk ago
    • Reported - view

    Hi everyone! Got only the first part so far, because I want to try to memorize. https://youtube.com/shorts/fjkY7I-dTu8?si=1yLgUbR-rjSCl-bf

      • Victoria_Macdonald
      • 2 wk ago
      • Reported - view

       It says the video is unavailable.

      • Kerstin
      • 2 wk ago
      • Reported - view

       Really, I pushed on the link right now and it works. 🤷‍♀️

      https://youtube.com/shorts/fjkY7I-dTu8?si=M26pYWbUNXBPizCr

      • Victoria_Macdonald
      • 2 wk ago
      • Reported - view

       Sorry, it's still unavailable since is's marked as Private. You can see it since it's your video, but we can't. You will need to change the privacy setting on the video.

      • Kerstin
      • 2 wk ago
      • Reported - view

      I got it - sorry. Now it should work. https://youtube.com/shorts/fjkY7I-dTu8?si=N-SUkfA3SEddZ6GK

      • Victoria_Macdonald
      • 2 wk ago
      • Reported - view

       Wow, that was gorgeous. You play with such fluidity. So glad I got to see it!! Waiting to hear the rest.

      • Kerstin
      • 2 wk ago
      • Reported - view

       Thank you so much. I have a little concert with a singer next Friday. Not much time to practice something else. But I‘ll try. 🙋‍♀️

    • Sam_Smith
    • 3 wk ago
    • Reported - view

    The major difficulty for me is the section from measures 16 to 19. And the problem is finding those LH chords without interrupting the "flow" of the melody in the RH. The big jump at the beginning of m 17 doesn't help! And the turn in m 16. So I have resorted to practicing each chord change - backwards and forwards - with the goal of playing just the left hand changes quickly and smoothly with no fumbling. Then I will go back and slow it down and add the RH. Anyway, that's my plan...

    • Roy_JamesPike
    • 3 wk ago
    • Reported - view

    This is a question for the Zoom call, which is in about an hour.  A greater explanation of how to use the second escapement would be appreciated: to create quieter repetitions in the LH chords. I realise that the regulation of the piano has to be very good but there is a significant risk of some of the notes not sounding if the keys are not brought up sufficiently to activate the hammers. 

    • Kathryn_K
    • 3 wk ago
    • Reported - view

    Can anyone post links to the zoom recordings. I was not able to access. 

    • Sam_Smith
    • 2 wk ago
    • Reported - view

    OK, fellow study group members, here is my attempt at a recording of the prelude. My usual number of errors for a recording! I had the most trouble with mm 16-18, of course. I did highlight al the chord note changes, which seemed to help a lot.

      • Hannahong
      • 2 wk ago
      • Reported - view

       Very beautiful! 

      • Sam_Smith
      • 2 wk ago
      • Reported - view

      Thanks!

      • Andrew_Smith
      • 2 wk ago
      • Reported - view

       Sam, for some reason your video does not appear for me, even when I refresh the tonebase page. Hope to be able to acces your playing sometime soon! 

      • Sam_Smith
      • 2 wk ago
      • Reported - view

       Here is the link to the video on youtube - maybe that will work for you:

      https://youtu.be/tq2jsAwsd-M

Content aside

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