How long do you practice, and how?

How much do you practice every day and how do you structure the time? Do you practice for an hour straight? More? Shorter segments? 
 

I count thirty minute practice sessions. I am now up to six, so, that’s three hours a day, if my math is correct, lol.

50 replies

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    • KDS
    • 2 wk ago
    • Reported - view

    I practice in short snippets.  I practice the scale and arpeggios for the piece to warm up. I practice in two measure increments.  I record myself sometimes. (quite the eye opener). Due to physical reasons, I cannot practice for long stretches, however, I concentrate on focused practice and I memorize as I go along.  

      • Larry_K
      • 2 wk ago
      • Reported - view

      How long are your sessions? 

      • Larry_K
      • 2 wk ago
      • Reported - view

       I find it impressive that you memorize as you go along. I am trying to memorize a short piece by Būrgmuller and I still don’t have it. I willl start devoting one practice session to memorization.

      • KDS
      • 2 wk ago
      • Reported - view

       Thank you Larry.  Find the patterns, the notes may not repeat exactly, but patterns do. Chunk the arpeggios. That helps to memorize them.  See if the scale is actually in the piece. Do a mind map.  Circle sections in colors.  Memorize small chunks, hands separately.  Where are the chords within the measure even if the notes are not stacked.  If you feel stress, you are trying to memorize too much material. 

      • Larry_K
      • 2 wk ago
      • Reported - view

       Thanks for all of those tips, they’re great.

      Yes, it is important to find and remember the patterns. Sometimes I change fingerings to get a repeating pattern when the given fingering breaks a pattern.

      I will try color with a set of these erasable red/blue pencils,

      https://a.co/d/00e3mFzv

      I think I have the first Bergmüller almost memorized in three chunks. I just have to put them together. I haven’t played it in years.

      • KDS
      • 2 wk ago
      • Reported - view

       I can understand your reluctance to mark the score. If you can make a copy do that. Perhaps get an IMSLP version and then there is no extra cost.  I consider certain editions almost sacred.  I do not write on Henle Urtext.  I think real concert pianists do write in them though.   I use colored erasable pens from amazon.  The brand is Frixion.  The Tonebase guided beta courses have the scores marked in the workbook that is with the course.  The scores are color coded already.  You are obviously very advanced if you practice three hours a day and I think that is wonderful to be able to practice for that length of time!!  I am working on perfecting my fingering.  I only learned a few years ago that keeping the same fingering is important. 

      • Larry_K
      • 2 wk ago
      • Reported - view

       Oh, I am not advanced. I am a low intermediate player who is fighting against the urge to give up, lol.

      I write in everything, including my Henle editions, but I do not scribble like Glenn Gould.

      I dislike printing music from IMSLP because I get overwhelmed with single sheets of music. I’d rather just buy a nice bound edition.

      I get the feeling you have played the piano your whole life. Am I right?

      • KDS
      • 2 wk ago
      • Reported - view

       Yes. However, I had breaks.  I have gaps in my learning that I am trying to fill.  I love classical piano and watched a lot of the Great Courses to strengthen my foundation.    I learned to play as a child/teenager and never forgot the notes and the basics of how to play.  I have been told that I am a good sight reader (which works well for classical music). I have had some interesting piano teachers (in a good way).  If you don't mind writing in your music, that probably helps you learn faster.  The piano is my hobby and I hope to continue.    

      • Larry_K
      • 2 wk ago
      • Reported - view

       You were lucky to have lessons as a child. I didn’t get lessons. We didn’t own a piano.

      An Irish family one street over from my childhood home put about five or six kids through music lessons and wound up creating a bar band that still plays to this day, lol. Most of the sons played brass instruments.

      There is a story that the father stamped his foot so hard on the floor when playing the piano that he put his foot through the floor. 
       

      When I graduated from college and finally had a little money, I started paying for weekly violin lessons. I spent a decade or so, sawing away. Then, I moved to Manhattan and stopped playing the violin because I was trying to survive in the big city.

      After that, there was a decade of classical guitar lessons, and then piano too. 

      All in all, I believe I have paid for about thirty years of weekly lessons. I don’t regret my experiences learning any instrument.

      I knew a programmer who also played the piano. He said he did it because studying the piano is an infinite time sink. All the hours you can give it, it will take. 

      I play instruments to achieve “flow,” that state when time seems to stand still. 

      • KDS
      • 2 wk ago
      • Reported - view

       Being a multi instrumentalist must be so much fun!!  I've heard that the violin gives you great ear training skills!

      • Larry_K
      • 2 wk ago
      • Reported - view

       I suppose the violin does help with ear training but everyone has intonation problems, no matter if they’re amateurs or professionals.

      I don’t miss that sound under my left ear. The violin sounds better from six feet than it does from six inches.

    • KDS
    • 2 wk ago
    • Reported - view

    less than 1 hr.

    • Virginia_Young
    • 2 wk ago
    • Reported - view

    Hi Larry, I, too, practice three hours a day, usually in one-hour chunks, with breaks during the hour.  I mostly focus on repertoire, but I'm working on some 8-measure etudes by Czerny and plan to add scale work in mid-July (when Kate Boyd comes out with her scale course).

      • Larry_K
      • 2 wk ago
      • Reported - view

       I need to figure out how to add in some exercises like Hanon and Czerny while I also learn from pieces.

      It’s all a bit daunting, I must say, and I sorely miss my teacher. He’s such a good teacher, and we get along so well, but he has skipped so many lessons to the point that I don’t have lessons.

      I will watch for that scale course.

      • Virginia_Young
      • 2 wk ago
      • Reported - view

       Hi Larry, The Czerny I'm using is Opus 821, and I'm taking my time going through the exercises.  For example, I started in January, and I'm on number 12.  So, I spend maybe 10-15 minutes a days on the one or two I'm working on.

      • Larry_K
      • 2 wk ago
      • Reported - view

       Ok, I have ordered Czerny. I see that is missing from my exercise books.

    • Conrad_Winn
    • 2 wk ago
    • Reported - view

    Same as u  30 min segments with 4 or 5 segments  if I don’t rest my brain is mush.   

      • Larry_K
      • 2 wk ago
      • Reported - view

       Yes, I’m the same, I also need to recharge. I can’t stay at the keyboard for hours. I think I’m applying the Pomodoro study method to piano practice.

      I have a Japanese clicker device to count the 30 minute chunks. It’s 4pm and I’ve only got two clicks in. I’m not happy and will try to make up for it later in the day.

      I also go off and practice the recorder, which is a different thing, and I’m at a much lower level there. 

    • Mom, fitness instructor, lover of music
    • Michelle_Russell
    • 2 wk ago
    • Reported - view

    I practice in two to four 20-30 minute segments per day. Any more, and my body rebels! On days that I have the full amount of practice time (4 days/week usually), I practice sight-reading, scales/arpeggios, a Czerny etude, and my repertoire pieces. Since I also sing for church each week, I spend at least 30 minutes/day preparing for each Sunday (with another 20 minutes or so dedicated to vocal exercises and whatever rep I'm working on in vocal lessons). 

    • Akzent oder Diminuendo?
    • Maria_F
    • 2 wk ago
    • Reported - view

    I don't really practice for a specific amount of time, but my teacher recommends 3-4 hours. I generally start with Hanon exercises and many scales/variations on scales. Next, I work on pieces. I usually start with the one I am earliest in learning (sight-reading, playing it hands-separately if necessary), then work on ones I know almost all/all the notes of, and then work on perfecting pieces I know well. I am not completely consistent with that order, but I do always start with warmups. 

      • hot4euterpe
      • 2 wk ago
      • Reported - view

       I am curious Maria, with that kind of recommended practice amount per day are you a full-time music student? That amount of total practice time each day is more than most people would otherwise be able to maintain (even piano teachers!).

      I typically practice about 1.5-2 hours a day. Between being a parent, spouse and teacher, I have had to learn to be extremely efficient with my time compared to when I was an undergraduate student as I just don't have the same availabe time or energy reserves.

      From a teacher point of view, my late intermediate / early advanced students are generally expected to practice 1 hour / day, at least 5 days a week. Advanced students are 1-1.5 hours / day, at least 5 days a week. If practice is deliberate and systematic this is sufficient for steady improvement toward their goals. A little more is always nice (particularly from very serious students) but too much more often comes with rapidly diminishing returns. More days are always good though!

      • Larry_K
      • 2 wk ago
      • Reported - view

       I know you didn’t ask me but I’d like to mention that I am retired.

      So, if I don’t let my days drift away from me by doing nothing, I can find 2.5-3 hours to practice the piano. I must be intentional about it, though.

      I find another hour or so to practice two or three different types of recorders.

      Now, people who have studied piano their entire lives with teachers have an insurmountable advantage over a late adult player who has been studying the piano for only 8-10 years.

      I find the five days rule to be a bit strange. I always strove to practice an instrument every single day. It seems to me that you lose some progress by giving up two days a week.

      My Russian violin teacher told me a story about Sviatoslav Richter and practice time. A television station interviewed Richter and asked him how many hours a day he practiced. He replied, an hour, nobody needs more! 

      Then, they asked Richter’s wife how much he practiced. She said, he never stops!

      It was well known in Moscow that Richter kept his entire apartment building awake with incessant practicing. He’d play the same passage twenty five times in a row at full volume.

      .

      • hot4euterpe
      • 2 wk ago
      • Reported - view

       Yes retirement can certainly allow for more practice time. I’ve known a number of professors who looked forward to all the time they would have to play what they wanted. I belive my grad thesis supervisor had a plan to work through all the Beethoven sonatas in order once he was retired. I should check in with him, he retired several years ago!

      The “at least 5 days” is just a minimum, not a rule. Less than that and students tend to only tread water for the week. Having the expectation of every day would be easy for me to say but it is not practical or even realistic for most students (even serious ones) Some students have multiple activities or even multiple instruments. Some are studying theory, harmony and / or history as well. Some do other skill building like ear training and sight-reading. Some just need down time. 
      Everyone is different and adapts the general expectations differently. It is much like exercise though - going to the gym every day is not necessarily the best way to get healthy. Moderation and varying the types ot activity even a little bit is often more sustainable for people. 

      • Larry_K
      • 2 wk ago
      • Reported - view

       I understand what you’re saying but I do worry about slipping standards.

      I read that a history professor at the University of California at Berkeley has cut down the amount of reading material he assigns, from 100 pages a week to 35 pages. Gone are the seven books students used to read, replaced by excerpts.

      One has to distinguish serious students from other types of players. How many hours a day will a piano major practice at a conservatory? 
       

      People do have to be careful not to injure themselves at the keyboard. Now that I’m not typing on a computer keyboard for ten hours a days, I have a little more life in my hands for the piano. But, of course, I am fighting age, and probably arthritis.
       

      It actually never occurred to me that someone would study an instrument and practice less than five days a week. I can see why that would lead to threading water.

      If I miss one day at the piano, or recorder, my wife will start thinking about selling the instruments, lol. If I practice less than five days a week, I am doomed.

      My teacher (Juilliard/Yale) played through all of the Beethoven sonatas during Covid. He told me that he had had daily lessons as a child. That bit of information floored me.

      Retirement does open up time but I need a teacher to be there for me week after week, to guide me and encourage me.
       

      Hopefully, I will find someone when we move to Philadelphia. Surely, there are some good teachers there, the home of the Curtis Institute.

      • Akzent oder Diminuendo?
      • Maria_F
      • 2 wk ago
      • Reported - view

       What exactly do you mean by a "full-time music student?"

Content aside

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