Tonebase vs Pianote for late beginner

Hi, I took advantage of the BF sale and signed up for lifetime access even though I don't think I'm quite ready yet for Tonebase.

 

I was thinking about also doing one year of Pianote, but I wanted to ask all of you experienced Tonebasers what you think? 

 

Do you think there would be an advantage to doing that first before moving onto Tonebase?

 

Bit of background on where I'm at if that helps:

I started taking lessons back in March of this year with a local teacher doing the Simply Music method because at the time I thought that would get me in the right path sooner given my goals of wanting to compose. 

Now, I've started to fall in love with piano itself,  becoming a pianist, and classical music. 

I'm currently working on Chopin's Prelude in E minor. In fact, I decided I needed to learn this piece after watching the Tonebase video on it by Seymour!!!

It took a little over 2 weeks just to learn the basic piece, most of that time spent on the 4 bars that start just before the ornament as the climax starts.

I'm now working on polish and musicality to the the best of my current ability. 

My teacher also has me working on Rosemary's Theme from The Giver as a reading exercise. 

It's quite difficult,  but I continue stubbornly and advance very slowly. 

Why did she assign this piece to me already?

Probably because she assigned me the Bach Prelude in C Major as a reading exercise, and after I was able to play it pretty well, I saw a tutorial on the Interstellar theme by Pianote actually. I really wanted to learn that and practiced enough until I was able to do all of it and without looking at my hands, except the very last part with the tricky left hand. 

 

I feel like I haven't really progressed after I started working on Rosemary's Theme because it's so difficult, so I signed up for a piano marvel trial and started going through their method and technique lessons from the beginning. Currently at 3C and it takes anywhere from 3 to 20+ minutes to get 100% on each lesson. 

 

Sorry for the length!  

Just wanting to get serious about this now!

 

Thanks

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    • One Beat
    • Della
    • 3 mths ago
    • Reported - view

    As a student of Pianote, I found the platform to be very helpful during my first year of learning piano. It was great for learning the basics, but it didn't offer much in terms of classical or advanced content.

    When I transitioned to Tonenase, I initially felt overwhelmed due to its advanced content. My advice would be to start with the level 1 content on Tone base (this is what I'm doing now).

     

    It's worth noting that Pianote provides a lighter, more casual learning experience, whereas Tonebase demands more concentration and offers a more serious approach to learning a piece. Initially, I gained a lot from Pianote as a total beginner, however, I've since realized there are certain techniques I didn't learn or practice. Now, I'm focusing on music theory and reinforcing fundamental skills. I hope you find my experience helpful.

    Like 2
    • Peter
    • Peter.6
    • 3 mths ago
    • Reported - view

    Hi Jason, happy to share my experience. I was a self-taught late-beginner without any professional guidance, when I realised I can't progress without proper lessons. So I subscribed to Pianote for a year, which was a fantastic foundation for basics, theory, techniques and building a practice routine for someone without any such foundation. I skimmed through their 'method' lessons and only focused on topics which I was not familiar with. But I skipped most exercises which I found too basic (including their 'simplified' versions of famous classical pieces - I only want to learn the real stuff!). I fully agree with the response of One Beat, Piano did not offer enough true classical content, which I was primarily interested in. 

     

    So I switched to Tonebase - but also felt a bit overwhelmed. I went through most of the theory and beginner-level lessons - which was again quite useful, reconciling my knowledge gained on Pianote, and gaining many new insights. I would recommend to follow lessons on the same topics as Pianote, as it helps gaining deeper knowledge on the same subjects (e.g. circle of fifths, intervals, chords, etc.), especially useful for classical piano (rather than pop, jazz, blues etc. which I was not particularly interested in on Pianote). I think doing Tonebase without Piano would have been more difficult, to be honest, as they often use terminology which I wasn't previously familiar with. I slowly followed lessons about simpler pieces, realising that the approach of Tonebase is quite different from Pianote. While Pianote simplifies a lot and provides more step-by-step, bar-by-bar approach how to learn a piece, the lessons on Tonebase kind-of expect that you can learn the piece by reading the sheet-music on your own, and provides much more guidance how to play it properly, instead of what you think it should sound like. Tonebase goes deep into certain focus topics, to help you play the piece like a true pianist (e.g. phrasing, techniques, interpretation, what to focus on, etc.). 

     

    So - overall I found both very useful, quite different from each other, but Tonebase is certainly giving me more in terms of knowledge of classical piano music. Last, but certainly not least, both platforms are much more effective if you also get a in-person piano teacher - which I also did. If you are serious about learning piano, you need an actual musician next to you, to give you direct feedback on everything important - including the way you touch the keys, what you do right or wrong, and provides you a proper one-on-one coaching. Combining all these approaches is also financially very effective, as you don't need to pay an expensive teacher to teach you theory - that can all be covered by online platforms. Also, if you start learning a new piece, Tonebase provides a great library of pieces to use as a starting point, give you all the foundations, and then the teacher helps you play it properly, personalise fingering that fits your hands, gives feedback on your playing - and most importantly, takes away some of the anxiety to play 'in front of people' which is my biggest challenge.  

     

    Hope this helps!

    Like 3
    • Dana
    • Dana
    • 3 mths ago
    • Reported - view

    I have been using both Pianote (now Musora) and Tonebase, I did the lifetime access for Tonebase and am annual with Musora.

     

    Agree with all that has been said above.

     

    Musora is very lighthearted, but they do slip in some challenging content, and I have noticed in the last two years they are upping their game a bit. I am way over my head with Tonebase but I like their more serious approach. 

     

    At this point, I use both equally.

    Like 1
  • I've been studying classical piano for 5 or 6 years as an adult and a few years as a young adult..I have a teacher...I like tone base because it takes me past basic techniques and concentrate on ways to improve tonality, phrasing and intention...Although I practice everyday I am probably the slowest learner in the world and that doesn't bother me..I have been working on some pieces for years..it keeps changing as my skills improve...the piano is for life...the process is as rewarding as the final product if there is such a thing as a final product...play on...I am 76 years old..there is a video where seymore says he didn't get moonlight sonata first movement until he was 80...

    Like 3
  • I think that there is a large library of material on tonebase starting at the very beginning of the learning curve up to professional.  I can't make helpful comments on what you should be working on in your lessons, but I can tell you that it is invaluable to see where you need to go as you are learning so that you can better assimilate what you are currently learning and tonebase is a great resource for that.  Best of luck just keep going

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  • Hey Jason.  I have never even seen Pianote.  I am a professional musician, and have profited from some of the lessons/courses of great masters that ToneBase offers; they are truly great.  My best advice, again, without knowing Pianote, is: find a profesional pianist/musician who can guide you,,, nothing substitutes the personal advice/guidance, especially at early stages, of a responsible teacher who understands where you are and where you need to move!  Then do the “toppings” in ToneBase.   All the best !!!!!  Cheers

    Like 1
  • When Roland offered a few free months with Pianote, I signed up thinking it was Tonebase. My background is that I have a MM in piano so it wasn't what I was looking for. That said, Pianote started as heavily more to get people to enjoy playing as soon as possible via pop songs. So you are learning chords and melodies from pop lead sheets. And, there are a lot of pop lead sheets so that people can always find songs that they want to play. (I"ve kept my copy as it's a great resource to have.) Many times it's just to play the chords and sing. Then they started branching out into other styles including classical. I would say it's a fun relaxed atmosphere perfect for getting started. Lisa is an absolute gem.

     

    But, you can only go so far with Pianote. Once you get past some of the basics and want to get into real piano playing (not just playing for fun and friends) it's time to move up to Tonebase. If Pianote kept you interested and wanting to get more serious, it did it's job. If you just want to play the songs and enjoy doing so, then it did its job. At least that's how I see it. I have nothing bad to say about Pianote. Pianote has its niche and is very good at it. Tonebase has a different niche and is very good at it. I don't see them as competitors. 

     

    All that said, I still recommend a teacher as the best way to learn the fastest. 

     

    That's my two cents. Good luck.

    Like 2
  • Hi Jason, 

    First congratulations on taking on the piano and classical music. I agree with all the responses above although I don’t know anything about Pianoforte. But I can tell you that if you are serious about classical music, Tone base is almost like the Netflix of piano performance. It addresses all the details about the key elements of piano playing , and dissect it into its component parts, Masterclasses, course work,  lesson on a particular work etc. You name it , they cover it.  There are so many works  which I play,they cover in detail.  I have been so surprised at times of why I have not thought of this or that. Some of the things, even my superb teacher did not have time to address them. And they did it with the very best of professional concert artists who are also excellent teachers (this is hard to find, sometimes!). So I would recommend keeping Tone base for sure.  You won’t be sorry. Just buy the lifetime subscription and be done with it.  Priscilla

    Like 1
    • Greg
    • Greg
    • 3 mths ago
    • Reported - view

    Hi Jason,

     

    I tried Pianote some time ago and to be honest found it to be quite basic, poorly structured and unhelpful. I don’t know if you have come across Key-Notes before by Albert Frantz but I would highly recommend it for someone at your stage of learning. It is based completely on classical piano playing. 

    Tonebase is excellent for many things but it does not provide a clear, structured and incremental path for beginners.

     

    Albert is a top class concert pianist and a piano educator of the very highest standard and capability. His knowledge and ability to provide clear, structured, step by step instruction is second to none. The method is predominantly based around pieces, increasing in complexity and sophistication as you progress. There are specific elements to cover theory, scales & arpeggios and technique. There are also some brilliant interactive tools on the platform that will help you to learn pieces and better understand the underlying theory. I can’t do it full justice here so definitely best to have a look. 
     

    As you go through the course you will receive incredibly detailed information about not only how to play the pieces but about theory and music history. This is all paced superbly and you get what you need at the right time without ever being overwhelmed. Whilst aimed at beginner and intermediate students I believe there are many more advanced players that would benefit from Key-Notes due to the comprehensive nature of the instruction provided that would complement their knowledge and plug any gaps - particularly for those that may be largely self taught. 
     

    I have no affiliation with Albert other than to be a user of Key-Notes. I have explored many online and other resources as someone who has been a self learner for much of my piano journey and I don’t think there is anything out there that comes close to Key-Notes in providing what you are looking for. I offer these comments as a genuinely satisfied and highly impressed member of Key-Notes and I hope you find them helpful. 
     

    Good luck with your piano studies. 
     

    Regards

     

    Greg

    Like 1
    • Jason
    • Jason.10
    • 3 mths ago
    • Reported - view

    Thanks everyone for all the great feedback!

    Based on everyone's responses, I can tell most didn't really read all my background notes, but that's okay, I wasn't expecting people to read all of that!

    Just to clarify though,
    - I have already purchased lifetime subscription to Tonebase
    - I already take weekly privately lessons, but this teacher uses the Simply Music method---at this point, I am not sure if this is a good fit given where I now want to go.

    - I already signed up for Piano Marvel (before Tonebase) because I want to finish their Method and Technique series that I started during the trial. 

    - I have NOT signed up for Pianote yet. Based on what you guys have said, maybe it's not really going to do much in addition to what I am already doing.

    However, in addition to Classical, I would like to develop the ability to improvise as a Jazz pianist can do. I have no idea of Pianote might be good for that or not, but I was thinking about joining Open Studio or finding a jazz specialist teacher in a year or two.

    Like I said originally, I went ahead and signed up for Tonebase, but I feel I am not ready for it yet, and really don't know where to start or how to use it effectively.

    Thanks again everyone!
    Please add any extra thoughts you might have if you happen to read this post.
     

    Like 1
    • Jason For jazz, you could try Piano with Jonny. Pianote has a little jazz. 

      Like 1
    • Jason I subscribe to Open Studio and Tonebase and am happy with both. When it comes to jazz, the mentor sessions (Emmet Cohen, Sean Jones, Kenny Werner), single song deep dives, and expert courses (Fred Hersch) at Open Studio are very good.

      But clearly there's no classical content, and the music theory course here from Ben Laude is excellent. Most content that I've watched on Open Studio assumes basic musical familiarity which Tonebase covers well.

      Like 1
    • Geoffrey Grosenbach What level(s) jazz pianist is Open Studio for? Thanks.

      Like
      • Jason
      • Jason.10
      • 3 mths ago
      • Reported - view

      Michael from London   How would you describe Piano with Jonny?  Is it like Pianote (targeting complete beginners?), something intermediate, or something like ToneBase?

      Like
    • Jason Piano with Jonny is quite a rigorous and well-explained method targeted at all levels. Many of the lessons are divided into levels of beginner, intermediate and advanced, so you can choose at what level to follow them. PwJ covers not only jazz piano, but blues, film music and others (but no classical as far as I’ve seen). Hope this helps.

      Like
    • Jan
    • music publisher and pianist
    • Jan.6
    • 3 mths ago
    • Reported - view

    I feel it should be mentioned here too, as it helped me immensely to make a fresh start after a long break:

    https://practisingthepiano.com/

    by Graham Fitch!

    Like
    • Jan
    • music publisher and pianist
    • Jan.6
    • 3 mths ago
    • Reported - view

    I feel it should be mentioned here too, as it helped me immensely to make a fresh start after a long break:

    https://practisingthepiano.com/

    by Graham Fitch from the UK!

    Like
  • Ive never used pianote, but if you want a jazzistic approach I think open studio is the better service on the market. I've signed for 3 months and have some real development on improvisational skills, btw I realized that the true basis for a language on this style only can be achieved by ear, learning songs and licks by ears in actual the path for jazz, but you can have some insights with open studio. Therefore, Ive come to tonebase and instantly felt the difference, specifically on the technique, on the touch, on the articulation, I think that the jazz process lacks a lot in this. While music theory, ear and creative skills are focused, much is lost in the search of achieving the best sound you can have, as such as to a ergonomical playing, clarity, and so on. My idea is to develop a full potential on the classics here, and then move to jazz again. Moreover I know Ive skip the line a little bit, but I think its a point to be taken.

    Like 1
  • ok I am a very late beginner as well. Exposed to piano at 18 then recently picking up after many decades.  Was able to play Bach prelude in C pretty quickly. Interested only in classical piano mostly. Listened to hundreds of hours of great pianists - Barenboim, Argerich, Ashkenazy for the past 10 years... ok now recently -past 5 months -decided to actually try to learn piano playing. Here's what I have done so far.. Got a baby grand piano - Essex.  Looked at Tonebase lessons ( lifetime member - 2 years ago -but didn't use it until now ).

    TB Lessons are way too advanced..

    So did some research and came up with this list. for myself

    1.  Before playing any difficult pieces like Chopin etc..  get the theory of music absolutely clear. 

    Identified and purchased Alfred's music theory book . It has everything  from scales major, minor - scale degrees, harmony with Chords ( Tonic , Dominant , Subdominant), rhythm and counting.. 

    Going through this in as much detail as possible.

    2. Started daily scale practice ( C major - 2 Octaves - only ) 15 mins.

    3. Most importantly - started ear training. Identifying relative tones.. This is a major problem.. I am clear that absolute pitch i.e identifying a note without reference may not be possible for an adult. But relative pitch can be learnt .. meaning ability to identify intervals 3rd, 5th, 7th etc would be invaluable for classical music.. So am testing myself every day.. This is a real problem for me. If some experienced gifted musicians have some advice it would be very welcome.

    I am hoping this can be learnt. Please correct me if this is not the case.

    4. Repertoire.. I am currently playing  Mozart K 414 . @2nd movement.. Every day - 2 lines at a time for 25 minutes. With rhythm.. tempo is 1/2 speed .. very slowly.. There are reference recordings of Ashkenazy on You Tube.. listen .. playback.. slowdown..  repeat .. Until the shape has begun to appear after daily play of about 6 weeks. There are complications in this piece for a rank beginner like me but the challenge is definitely interesting and rewarding. Overall I feel I am progressing through this.. 

    5. My sight reading needs a lot of work .. Have been told to use 'Dozen a day' and started using it but need to accelerate on that as well.. 

    On YT there are several channels that I have looked at that may be useful before getting to TB lessons. Ping if interested.. 

    Like 2
    • Peter William you made so many great points. I especially resonated with #3. How do you train relative pitch? I admire how disciplined and structured you are with your practice. I am going through a stage of randomness and therefore ineffective practice. I am lacking focus and struggling with my practice. Thanks for sharing your routine so I can take notes. 

      Like
      • Michelle R
      • Michelle_Russell
      • 3 mths ago
      • Reported - view

      Peter William Hi - I'm a new beginner, but regarding your #3: are you singing using solfege? My teacher has me doing this, and I find it invaluable for learning to "hear" on many different levels. We've done scales (major and melodic minor while playing the tonic as a drone), cadence patterns where I play two or three parts and sing the "missing" part, some arpeggio work (also with a drone), self-cannons with scales, and even learning solfege for a couple of the (short, simple) pieces I'm learning -- singing one line while playing the other. There is also an online program, Tonal Assistant (https://www.thehearandknow.com/tonal-assistant) that may or may not be helpful for you if you are working on your singing. I'm certainly not a singer, but this work has really been giving me wonderful results.

      Like
    • rebecca LAM Thanks for your note. I don't have a teacher - yet  - so I  have tested myself -play a set of random keys on the piano and call it out - and am absolutely sure that I don't have absolute pitch. :-) .. The next best thing was to test relative pitch.. e.g. Take the C major scale. then proceed to G, F, D majors and so on.. . use a reference note like 'Do' and call out 3rd 5th 7th -without looking at the keys.. and found that with the reference note I was able to reasonably call out notes correctly ( there are some errors )  on the solfege by matching with my (non singing) voice . This convinced me that all was not lost :-) .   

       A professional  musician friend - had once mentioned to me - a one line remark 'Try ear training ' :-) .  Went to YT and found a few good sites and have started with the basics. This should help with the piano playing.

      Like 3
    • Michelle R Hi Michelle, Thanks for your note and sharing your work so far. Very nice.! No teacher -yet but did some tests on myself and found relative pitch may be possible to acquire with practice.  Please see note below to rebecca . I am using sites on YT to get the basics. The singing school has some good lessons - small snippets (10 mins) to get through the ground work

      https://www.youtube.com/@TheSingingSchool They are starting at a very simple level which is what was needed for me at the moment.

      Like 1
      • Gail Starr
      • Retired MBA
      • Gail_Starr
      • 3 mths ago
      • Reported - view

      Peter William There is also a really fun app you can get on your phone called "lyrical letters' and you play back the series of notes you hear.  I sometimes play with it when I'm just waiting in line (with my earphones on, of course!)

      Like
  • Hello everyone!

    First of all, we are so happy to have you on tonebase, and discussing this very interesting topic here in our community!

     

    I am really happy to see everyone helping each other out with their comments and suggestions. And thank you for sharing your thoughts on these different music learning products - it all contributes to how we continue to shape tonebase and strive to provide you with the best experience possible!

     Cheers!

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