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The ones I am always listening to are Boris Giltburg and Irina Lankova.
https://youtu.be/_wgTGwlOzTc -
O.K., one more and then I promise I'll shut up: This may be the place and the time to point out, for those who may not have followed closely the XVII Tchaikovsky Competition, its freshly crowned winner (1st Prize and Gold Medal) in the category piano - Sergey Davydchenko. As of today, he still belongs to the "pianists more people should know about", but he likely won't remain in that group for much longer.
Here is one of his performances from the first round, Rachmaninoff's Ătude-Tableau Op. 39 No. 9. Who knew that this piece could be played with a clear, crisp sonority and with breathing, sweeping melodic arcs (instead of just pompous and clangorous, the way it's so often heard)?
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Cecile Licad. One of the great prodigies of our generation. Orchestral debut age 7 Moved to US age 12 to study at Curtis with Serkin, Lipkin, Horszowski. Leventritt winner age 20. Played with all the great conductors- Solti, Abbado, Guilini, Previn, Ozawa, Maazel. Played Tchaikovsky concerto for nationwide TV audience with Solti age 21
and also for nationwide audience when Serkin won the Kennedy Center award. Recently recorded multiple CDs of American composers (check out her Gottschalk CD) She lives in NY and plays at special concert venues. -
Erwin Schulhoff - 8 June 1894 â 18 August 1942 (48 yrs.):
https://www.dominiccheli.com/recovered-voices-1/v/sonata-for-violin-and-piano-no-2-wv91
Sophie Menter - 29 July 1846 â 23 February 1918 (71 yrs.)
http://www.19thcenturyphotos.com/Sophie-Menter-125585.htm
I first heard about her from Dominic in one of his Tonebase lessons. Liszt called her "my only piano daughter."
Cecil Chaminade - 8 August 1857 â 13 April 1944 (86 yrs.)
I also first heard of this fascinating pianist and composer on Tonebase.
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I have to put in a good word for my all-time favorite pianist, Constance Keene (1921-2005). She did not record an awful lot but what she has out there is just impossibly beautiful, moving & breathtaking.
Here is what Rubinstein himself said about her recording of the Rachmaninoff Preludes [which is my all-time favorite classical record ]:
"I cannot imagine anybody, including Rachmaninoff himself, playing the preludes more beautifully. I was flabbergasted by the fantastic sweep, color, tone and last but not least, the incredible technique. "
Well said, Artur! She did not have a big stage career, but was well known to the pianists of her generation.. She taught at the Manhattan School and I noticed she was the teacher of Tonebase's own Magdalena Stern-Bazcewska (lucky lady!). Among her other students was Peter Nero,, who himself is a fantastic player with an incredible technique, though you'd never know it from his heavily-orchestrated pop music hit records. I have an amazing 1950's recording of him playing a jazz version of Cole Porter's "It's Alright with Me", with his left hand playing the running riff from Appasionata Mvt. III as an accompaniment. I've always wondered whether he worked with Ms. Keene on any of that kind of stuff.
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I would add two names, Seta Tanyel and Anton Yashkin. In exploring Moszkowskiâs music, I came across Seta Tanyelâs recording and her beautiful and engaging playing. I heard Anton Yashkin in YouTube recordings of the last Tchaikovsky competition. He won the 9th Liszt competition prior to that. His playing was both technically flawless but also sonorous and beautiful without becoming too emotional. Enjoy!