Composition Strategies & Approaches

Hello Deanna,

I haven't composed in quite some time, but when I did, I typically followed one of three approaches:

1. Improvisation and development: I would improvise and capture it via MIDI, either directly into Sibelius or Digital Performer. After reviewing the material, I'd identify sections worth expanding and clean them up. I'd then apply my theoretical background to explore modulations and transitions that would shape an overarching narrative. I work quite programmatically, usually creating a story concept that drives the overall composition. And determining form is always a consideration. 
2. Spontaneous themes: Sometimes melodies would simply pop into my head. I'd quickly record them on my phone, transcribe them later, and then develop the ideas further.
3. Pure theoretical experiments: Given that my training was primarily in serial music and mathematically-based composition, some pieces emerged as technical explorations of specific compositional concepts.

My biggest challenge has always been balancing time between composing and practicing—both demand serious commitment, and time is finite. I haven't quite figured out that equation yet.

I'm hoping to return to composing soon. My plan is to create a book of compositional parameters—story ideas, colors, moods, keys, rhythmic patterns, tempos, and so forth. I want to use these as prompts for daily 10-15 minute improvisation sessions to build a substantial library of musical ideas. Eventually, I'd like to take a month to focus entirely on editing through this collection and shaping it into as many complete compositions as the process yields.