Week 1: A New Hope

Starting on May 4th...

Welcome to the Unfinished Business Challenge — and the beginning of our four-week musical adventure!

Every great journey starts with a first step (and some hope!) This week is about choosing your piece: something you’ve always wanted to learn, something you started and left behind, or something unfinished that keeps calling you back.

This Week’s Mission

Choose one piece (or excerpt) to stay with throughout the challenge.

A few ideas:

  • A piece you’ve always meant to finish
  • Something abandoned years ago that deserves a second life
  • A new piece you’ve been waiting for the right moment to begin
  • A small excerpt from a larger dream piece

Big or small, all choices are welcome. What matters is that it feels like your unfinished business.

This Week, Share:

  • What piece did you choose?
  • Why this piece?
  • Is there a musical challenge or goal you hope to work through this month?

If you’d like, post a recording of where you’re starting from — even a rough first read. We’d love to hear it.

Over the next four weeks we’ll build momentum together!

 

341 replies

null
    • Ken_Radford
    • 13 days ago
    • Reported - view

    Hi,

    I mentioned in today’s livestream that there are three left-hand root-7-3s (see attachment) in the Keith Jarrett piece Heartland (in F Major) that I have been struggling with for aeons. I have been stretching at and away from the piano and I am getting closer but it is taking soooo long. Any advice on technique/stretching/anything else that might help will be much appreciated. My teacher says that my hand is big enough and that I will be able to crack it if I carry on, but I need to make progress so I can move on..  

      • vbashyam
      • 7 days ago
      • Reported - view

       I did what you are saying in that Prelude as well. Maybe bring it up in Dominic’s tricky passage livestream next week. You can post your question in advance. Dominic always has great advice.

      • cdales
      • 7 days ago
      • Reported - view

      Book 2, no. 7 ( La Terrasse des audiences…). These ones don’t work rolled-kind of shatters the atmosphere. Some of the intervals are 10th or more, and lots of black keys complicate things. This is why I never finished the piece 10 years ago😢

       

      • hot4euterpe
      • 7 days ago
      • Reported - view

       Hi Ken - Yes option 3 was more what I would consider as a possibility in general for these kinds of situation but it isn't really practical here. I agree with @cdales that pain is a big warning sign from your body. Sometimes we can technically reach something but we perhaps should not.  It is not worth risking longer term issues or injury, particularly for tones that are just a doubled voicing. Thats why my choice, given my own reach, would be to just omit the extended 3rds of the LH chords OR to gently displace them (a slight displacement can be nice sometimes so we can more easily hear the secondary melodies within the texture!).

      • hot4euterpe
      • 7 days ago
      • Reported - view

       Ah yes, I played that something like 20 years ago during my undergraduate studies. It's been a long time but I do remember I used displacement somehow. I definitely envied people with a bigger reach for that piece! I might have to check back on that piece and see if I can remember what I did.

      • Akzent oder Diminuendo? • Hanon/Herz student
      • Maria_F
      • 7 days ago
      • Reported - view

       I never played the piece, but I believe (as I have previously stated, I am not great at reading music) that my sheet music has intervals larger than a ninth split between both hands. I may be missing the other ones, though.

      Which measures have the unplayable chords?

      Also, I agree with  that you should ask Dominic in the livestream. 

      • Ken_Radford
      • 6 days ago
      • Reported - view

       Hi and thanks for your wise words. I should have used the term “ache” rather than “painful”. After practicing the passage and associated stretching exercises my hand aches, and when I stop practicing the aching stops. Can you post some of the big LH Debussy chords - I may want to use them as part of my stretching routine,

      • Ken_Radford
      • 6 days ago
      • Reported - view

       Hi Dustin. Thanks for your comments. I have downgraded from “painful” to “aching”, and this goes away when I stop stretching so I feel that I am not in danger of longer term issues. One of my main motivators is that my teacher told me that my hands are big enough, I just need to stick with stretching and playing the difficult passage.

      • cdales
      • 6 days ago
      • Reported - view

       I circled the LH chords I have to break by playing the bottom note just before the rest of the chord (but not creating an arpeggiated sound). I can reach the surrounding chords, but these passages are challenging for me in that both hands (here and throughout most of the piece) are fully extended most of the time so I have to avoid accumulating tension😳

      • Akzent oder Diminuendo? • Hanon/Herz student
      • Maria_F
      • 6 days ago
      • Reported - view

       I definitely missed those when I looked through the sheet music. They are completely impossible for me to reach without arpeggiating/breaking them; I can't usually reach a 5-note-filled octave, let alone a ninth or a tenth (which is annoying, as many pieces I want to learn end up having quite a few tenths/5-note chords).

      You are definitely correct that it doesn't work to arpeggiate those chords. I think I would do the same thing as you and play the lowest note first. 

      How many notes can you reach, out of curiosity?

      • cdales
      • 5 days ago
      • Reported - view

        I’m usually ok with a 9th, but those 5 note inverted dominant 7th chords with black notes are out of reach. As I’m, shall we say, a mature pianist, stretching exercises aren’t too helpful!

      • Astrida_Gobina
      • 5 days ago
      • Reported - view

       I agree with your teacher, however I would also advise to proceed gradually and not to rush the stretching part. I can easily reach a 10th and play five finger chords, but depending on repertoire and hand position, I still have various stretching issues all the time anyway. Our hands are pliable, but they need to adapt every day. Warm-ups are essential before going those long distances 😆💪

      • Ken_Radford
      • 5 days ago
      • Reported - view

       Thanks for your comments Astrida. I agree that rushing can be counterproductive and that warm-ups are essential. Onwards and upwards...

    • Marian_Miller
    • 13 days ago
    • Reported - view

    This challenge will inspire me to carry on learning Schubert Moments Musicaux no.4, which I was about to abandon. 

    • Mary_Manuel
    • 13 days ago
    • Reported - view

    I have 3 choices and haven't decided yet. 1. JS Bach "Sheep May Safely Graze" (I had to set this one aside because of elbow pain - I think it was those inner melodic voices!!) 2. Liszt/Schumann "Widmung" (I started this last year but other pieces took precedence and I put it aside) 3. Earl Wild/Gershwin "Embraceable You" (I brought this to my lessons a year or so ago, but it also got moved to the parking lot while other pieces took over. My mother sang this at my wedding  - It was her favorite piece. Hmmmmmm....I think I better chose this one!!!)

      • Pediatrician
      • a_weymann
      • 13 days ago
      • Reported - view

       someone played that Gershwin/Wild piece at masterclass hosted by our local piano society last year. I had never heard it before and was blown away. So beautiful!! Oh, but don’t let that influence you. Play whatever you see fit. 😉

      • Der Wanderer
      • FRANZ_SCHUBERT
      • 12 days ago
      • Reported - view

       Yes - Earl Wild / Gershwin Etude No. 4, Embraceable You !  I did not know this piece either until late last Fall.  Somehow I came upon it as I was trying to listen to different brands of grand pianos - Schimmel,  Blüthner, Fazioli, Steinway, Yamaha etc.  An awesome piece that once heard is unforgettable yet somehow I did forget about it (temporarily!) until I read your post.  ;-)  

      • The Retired French Teacher
      • Monikainfrance
      • 12 days ago
      • Reported - view

       If you love playing for others, Sheep May Safely Graze is am ever-popular choice. It's something I should add to my list of pieces to learn, too. 

    • Fionna_Zhang
    • 13 days ago
    • Reported - view

    I think I’ll use this challenge as an opportunity to complete Chopin’s Grande Polonaise brillante op. 22! I learned the first half about 8 years ago before life got in the way, would love to finally finish it off. (If I have time, I’ll throw in relearning the Andante Spianato as a bonus)

    • Mark_Cooper
    • 12 days ago
    • Reported - view

    Wow, I’m so impressed by the dedication and enthusiasm of the members of this community, fantastic !! Looking forward to hearing all these contributions.

    For myself , my ‘ unfinished ‘ business is actually preparing pieces for my upcoming AmusA examination in August / September

    so I plan to present movements 3 and 4 (adagio and allegro) from Handel’s keyboard suite in F . The allegro is a fugue , so I’ve been rewatching Dominic’s talk on this subject , very helpful !

      • hot4euterpe
      • 12 days ago
      • Reported - view

       I didn't know what an AmusA examination was and ended up learning all about it and the AMEB program this morning (I am from Canada). It seems like a combination of our RCM curriculum (Royal Conservatory of Music) and the European ABRSM (Association Board) curriculum. Your AmusA is similar to our ARCT exam here, which is a lot of work to get to. So congrats to you on this upcoming goal! I look forward to hearing your Handel selections for this challenge=)

      • Mark_Cooper
      • 9 days ago
      • Reported - view

       thanks Dustin for your support ! Until recently I didn’t think I would be doing this at age 67 but there you go and I’m actually having fun preparing for it !!

      • Akzent oder Diminuendo? • Hanon/Herz student
      • Maria_F
      • 8 days ago
      • Reported - view

       I am familiar with AMEB because at one point I did an Australian piano curriculum. I never took AMEB exams, though.

      • Akzent oder Diminuendo? • Hanon/Herz student
      • Maria_F
      • 8 days ago
      • Reported - view

       Autocorrect persistently does not know the difference between Austria and Australia. 

    • Sachi
    • 12 days ago
    • Reported - view

    Thank you Dominic and Tonebase for providing us such great opportunity and encouragement. 

    I have two pieces in mind: either Liszt: Liebestraum no.3 the last section «dolce armonioso» or the last page of Chopin prelude op.28-13.

    I have chosen the Chopin prelude because this one is dear to me. I just love this one.
    I wanted to learn the prelude during Chopin challenge, but time was running short. I need to work with the last half. 

      • Koshka
      • 11 days ago
      • Reported - view

       I’ve also chosen the Chopin prelude no. 13! ❤️ 

Content aside

  • 8 Likes
  • 2 hrs agoLast active
  • 341Replies
  • 828Views
  • 40 Following