Week 1: A New Hope

Starting on May 4th...

Welcome to the Unfinished Business Challenge — and the beginning of our four-week musical adventure!

Every great journey starts with a first step (and some hope!) This week is about choosing your piece: something you’ve always wanted to learn, something you started and left behind, or something unfinished that keeps calling you back.

This Week’s Mission

Choose one piece (or excerpt) to stay with throughout the challenge.

A few ideas:

  • A piece you’ve always meant to finish
  • Something abandoned years ago that deserves a second life
  • A new piece you’ve been waiting for the right moment to begin
  • A small excerpt from a larger dream piece

Big or small, all choices are welcome. What matters is that it feels like your unfinished business.

This Week, Share:

  • What piece did you choose?
  • Why this piece?
  • Is there a musical challenge or goal you hope to work through this month?

If you’d like, post a recording of where you’re starting from — even a rough first read. We’d love to hear it.

Over the next four weeks we’ll build momentum together!

 

344 replies

null
    • vbashyam
    • 9 days ago
    • Reported - view

    For week 1, here is the A section of Brahms 117/2. I am trying to memorize early, as I learn, so pardon the typos. For next week, I hope to make the A section smoother (and better balanced between the melody and other notes) and make significant progress in the next section. 

      • TT2022
      • 9 days ago
      • Reported - view

       I really love your RH/LH statement & answer sequences! I've never noticed this in this piece before. And I also appreciated how you started your LH motifs off-pedal... leading to that dramatic LH single, bare note pause -- that was a real wow moment!    

      • hot4euterpe
      • 9 days ago
      • Reported - view

       A fine sensitivity to the colours and the way this piece breaths. Your memory work for first week seems quite excellent! Great start Vidhya!

      • Noel_Nguyen
      • 8 days ago
      • Reported - view

       

      About time I saw you play! And play beautifully you do, with that gorgeous singing tone!

      • Pediatrician
      • a_weymann
      • 8 days ago
      • Reported - view

       beautiful! The way you bring out that wistful melody is lovely, but what I particularly admire is how gently you let those 32nd note arpeggios fade into the mist at the end of a phrase. 

      • vbashyam
      • 8 days ago
      • Reported - view

             Thanks so much for listening and for the kind words!

      • Philosophy teacher and piano lover
      • Juan_Carlos
      • 5 days ago
      • Reported - view

       This touching melody was beautifully sung. And from time to time, I can see your charming companion whispering: "May the Force and Beauty be with you" 😊.

      • Pianist, composer and piano teacher
      • Sindre_Skarelven
      • 5 days ago
      • Reported - view

       What a lovely start, already flowing nicely and memorized! So funny detail with your R2D2 watching carefully by your side! 😅🎶 

      • Peter_William
      • 4 hrs ago
      • Reported - view

       very beautiful playing ! awesome ! so musical !

    • Ryan.16
    • 9 days ago
    • Reported - view

    On hearing the phrase "Unfinished Business" I immediately thought of Beethoven Op. 109 which I started learning several years ago. I had learnt most of it but it needed a lot of work and with life stuff getting in the way, I had less time to dedicate to it and lost motivation. This was a pity as it's a piece I've always loved for its ethereal qualities and innovation. Therefore this challenge is a wonderful prompt to brush it off and get stuck in with renewed vigour! 

      • Pediatrician
      • a_weymann
      • 9 days ago
      • Reported - view

       that life stuff! It really can be quite a frightful nuisance, can’t it? 

    • May_t
    • 9 days ago
    • Reported - view

    I would like to finish learning Liebeslied (Widmung), by Schumann (arranged for piano by Liszt). I first listened to this piece in 2021 on YouTube during the recital by the winner of the 18th Chopin Competition. The performance inspired me to learn it. I started practicing but stopped as life got busy. Now that I have more free time, I would like to go back to this beautiful piece and finally play it through all the way.

    • Mom, fitness instructor, lover of music
    • Michelle_Russell
    • 8 days ago
    • Reported - view

    End of week one, I can actually play all the way through at a relatively steady, albeit devastatingly slow, pace reminiscent of a slow-motion scene in a horror movie (actually, I'm thinking of Austin Powers and the steam-roller....horror-ible in a different way). This is the first time I've ever played all the way through, and normally at this stage I'm still doing sections - which I will now go back to! One goal is to improve this tempo by the end of 4-weeks, improving from devastatingly slow to merely outrageously slow. Another side goal is to have it memorized.

    https://youtu.be/e1-iv3Ycljk

      • vbashyam
      • 8 days ago
      • Reported - view

       Great job getting through the whole piece so soon! I love slow practice too! 

      • Akzent oder Diminuendo? • Hanon/Herz student
      • Maria_F
      • 8 days ago
      • Reported - view

       Slow practice can definitely be boring, but is also very helpful!

      When my teacher told me I was practicing way too quickly, and as a result, building bad muscle memory, she assigned me C major scales/formula patterns, Hanon Exercises, and hands-separate practice of the Wandererfantasie, all at 30, 40, and 50 BPM and at least 20 repetitions hands-together/12 hands-separately. I reluctantly followed her advice/assignments, and she was definitely correct. 

      • Mom, fitness instructor, lover of music
      • Michelle_Russell
      • 8 days ago
      • Reported - view

       Thanks, Vidhya. Slow practice and I get along quite well!

      • Mom, fitness instructor, lover of music
      • Michelle_Russell
      • 8 days ago
      • Reported - view

       Thanks. My teacher encourages me to move quickly as soon as possible, because I tend to linger in slow-practice-land. My son, on the other hand, is encouraged (same teacher) to SLOW DOWN his practicing. We are all such different creatures, aren't we?

      • hot4euterpe
      • 8 days ago
      • Reported - view

       Great work for week 1 Michelle! How's the tension you were mentioning in the other thread? In this second recording, you seem to be using your wrist more actively to support the outside of the hand and relaxing your thumb when not in use! =)

      • Mom, fitness instructor, lover of music
      • Michelle_Russell
      • 8 days ago
      • Reported - view

       Thanks, Dustin! The tension is much better. I spent considerable time working super slowly with the right hand, deliberately relaxing the thumb when it released the key. My forearm still gets tired if I spend too much time on this piece, but that will get better with time as I become accustomed to this constant movement. 

      • Akzent oder Diminuendo? • Hanon/Herz student
      • Maria_F
      • 8 days ago
      • Reported - view

       I always found slow practice boring. My previous teacher always said that if I could play something quickly, than I should, but my current teacher pointed out that practicing too quickly reinforces bad technique, so now whenever I start a new piece/section/scale/drill, I have to practice at 30 BPM for at least 3 days before I can speed it up. 

      • Akzent oder Diminuendo? • Hanon/Herz student
      • Maria_F
      • 8 days ago
      • Reported - view

       

       said:
      The tension is much better.

      My teacher said I had a tension problem (I did not think I actually did; my hands did not feel tense), but she said it resolved when I started sitting lower. My elbows were previously a bit above the keys; now I sit with them level with the keys) and further from the piano.  

      • Mom, fitness instructor, lover of music
      • Michelle_Russell
      • 8 days ago
      • Reported - view

       I typically only have tension of the bad variety when learning a new technique or just something new. Once I figure things out, I’m good. 

      • hot4euterpe
      • 7 days ago
      • Reported - view

       That's fantastic =) Your efforts are clearly getting results!

    • Philippa.1
    • 8 days ago
    • Reported - view

    Thank you for this challenge! I am working on the Waltz in E op34 by Moszkowski.  I started this piece some time ago and would like to work on being able to play the whole piece with confidence. I find this waltz challenging as it is long, intense and technically demanding. I love the different sections and images that are created throughout the piece.  

    • Pediatrician
    • a_weymann
    • 7 days ago
    • Reported - view

    Here is my "baseline video" - actually, there are six of them, but they are all very short. I did not record a baseline status of the entire movement because, as I had said initially, that's not what I practiced this week. Instead, I practiced the left hand only of the six sections that constitute the major hurdles of this movement. No one should feel compelled to listen to any of these videos; they are joyless practice recordings and mainly for my own use to document a starting point. If you do listen to them and hear odd breaks in the line of the figurations: yes, sometimes those are hesitations before finding the next note, but usually those are spots when a note would be played by the right hand. 

    https://vimeo.com/1191021599/a0b725a3ed?fl=ip&fe=ec

    https://vimeo.com/1191022142/6bd21e129c?fl=ip&fe=ec

    https://vimeo.com/1191022770/e61bafe6e0?fl=ip&fe=ec

    https://vimeo.com/1191023092/c223761c78?fl=ip&fe=ec

    https://vimeo.com/1191023649/4a685442f1?fl=ip&fe=ec

    https://vimeo.com/1191023896/58a407e4b1?fl=ip&fe=ec

      • Noel_Nguyen
      • 7 days ago
      • Reported - view

        Colossal work! 

      I don't think I have the moral fortitude that you have, to systematically practice hands separately. My hands feel so connected to each other that practicing hands separately would feel like practicing only the parts played by fingers 1-2-3 of a hand, then the parts played by 4-5! But it is without a doubt an excellent exercise, notably to reinforce memory, so bravo!

Content aside

  • 8 Likes
  • 3 hrs agoLast active
  • 344Replies
  • 849Views
  • 40 Following