The Erard Experience: Gwendolyn Mok presents Liszt and Ravel's favorite piano
One of the last pupils of Ravel's favorite pianist Vlado Perlemuter, San Jose State University professor Gwendolyn Mok discusses and demonstrates the experience of playing on an Erard piano manufactured in 1875 – the year of Ravel's birth. Ravel himself owned an Erard, and Liszt was influenced by the instrument's new "double escapement" mechanism in his own works. Mok reveals what is special about the piano, how it differs from a modern Steinway, and how it influenced important works from the late-19th and early 20th-century.
Find the start time in your time zone by clicking the photo or following this event link:
https://app.tonebase.co/piano/live/player/gwendolyn-mok-erard-experience
We are going to be using this thread to gather suggestions and questions!
- What questions do you have on this topic?
- Any particular area you would like me to focus on?
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Hello! I was reading about Erard pianos, and I came across this museum that a friend visited and raved about: Musical Instrument Museum in Phoenix, AZ: https://mim.org/musical-history-of-the-erard-piano/
They have an interesting article "Musical History of the Erard Piano".
Ms. Mok, what features of the Erard Piano do you appreciate the most?
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Since I will not be able to attend tomorrow, I am submitting my questions now. I will enjoy the LIVE stream after I get home from work.
Dr. Mok, I see from your Bio on SJSU, that you studied with Claude Frank, among others. Can you tell us, please, what you learned from him? I met him once, and he was notably gracious and good-natured.
What particular appeal does Ravel's music have for you?
What did Vlado Perlemuter reveal to you about Ravel and his music?
Were there any surprises? Or certain aspects that Perlemuter highlighted or clarified?
What do you want us to remember about Ravel, his music and/or his compositions?
https://www.britannica.com/biography/Maurice-Ravel - "...it would be true to say he forged for himself a language of his own that bears the stamp of his personality as unmistakably as any work of Bach or Chopin." Do you agree? Do think this is obvious to everyone? Why or why not?
Thank you in advance for answering these questions. :D
I am sorry I will miss the LIVE stream, but I will enjoy it afterwards!
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Pauline
I am sorry you could not be at the live stream. You can reach me at [email protected] if you have questions.
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I sent a note to Gwen to get the title of the last book she recommended at the 1:43:50 mark. On my computer there was a split second pause and the title was not clear. I'll let you all know once I find out.
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Thank you Gwendolyn and Dominic ! This was a fantastic presentation! I've been hoping for something like this. I am currently reading 'Interpreting Mozart' by Eva and Paul Badura-Skoda, and there's a chapter on Mozarts world of sound witch is highly interesting. We understand a lot better what inspired the composer, and what their markings in the score really mean.
I hope there'll be more of these! Please bring her back, Dominic ! Maybe talk about some older pianos?
I am fascinated by the sound of the straight strung piano. Here is a a little question and answer video of a modern straight strung piano. Daniel Barenboim and his Barenboim piano is featured in a little clip in video. https://www.youtube.com/watch?v=ktL33ZsSjrA