Group 1

Welcome to the NEW TWO WEEK INTENSIVE on tonebase!

 

 Improving your Lyricism (feat Chopin)

 

Post your progress with videos and written commentary on how things are going for you!

 

  • Course Period: June 26 - July 10th
  • Class Size: ALL are welcome!
  • Optional check-In via Zoom: July 2nd at 11am PT
  • ZOOM MEETING Recording!
  • https://youtu.be/Fl-ExGT9aZY

 

Assignment #1

https://www.youtube.com/watch?v=aQpw6fZBOlE

 

- Pick a short piece (Mazurka, Nocturne, Prelude) or excerpt of a longer piece (Ballade, Polonaise, Scherzo, Sonata, Concerto). Focus on lyrical/slow sections.

- Learn bass carefully, labelling all chords and cadences. 

- SING melodic line. Practice singing until your voice can identify the melody instantly.

- Submit a video: playing the Bass while singing the Soprano.

 

---

 

Assignment #2

https://youtu.be/ri2UD1z8sKE?si=w36XWzqb_rao3RAu

 

-Label all breathing points with an apostrophe between phrase markings. Practice deep breaths between significant points or use a regular breath for phrase changes.

 

-Sing Bass notes of all chords while playing Soprano melody.

-Submit a video: playing hands together (performance).

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    • Kerstin
    • Kerstin
    • 10 days ago
    • Reported - view

    Hello everyone! Right now, I only have half an hour for practicing a day. So I will take this Intensive to use this time effectively. I choose 3. movement of Sonata 3. Singing will be interesting. 😅 Thank you Jarred for the possibility to participate. LG Kerstin🌟🎹🌟

    Reply Like 4
    • Adriana López
    • Concertist in the making
    • Adriana_Lopez
    • 9 days ago
    • Reported - view

    Hello!!

    I'm Adriana. Thank you so much for the opportunity! 

    I'm very exited to keep learning and keep improving my skills with such great teachers :)

    If you accept it. During this course I would like to practice the lyrics part of:

    - The 1st movement of the Sonata op.35 of Chopin and...

    - Nocturne op.48 no.1 (but the recapitulation of the theme, with all the chords).

    If it's not possible to do both... I'll stick with the Nocturne. 

    I'll be sending my video soon! :)

    Reply Like 3
    • Adriana López whichever you know better! Both are great for developing a great lyrical tone.

      Reply Like 3
      • Bryan Sable
      • Lifelong Piano Learner and Educator
      • Bryan_Sable
      • 7 days ago
      • Reported - view

      Adriana López I LOVE No. 1.  That doppio is no joke!  Can't wait to hear it.

      Reply Like 2
      • Adriana López
      • Concertist in the making
      • Adriana_Lopez
      • 3 days ago
      • Reported - view

      Bryan Sable Thank you so much!

      I hope I make it justice! Can't wait to hear you too!!

      Reply Like 1
    • Wendy
    • Wendy.3
    • 9 days ago
    • Reported - view

    Hi Everyone!

    I am excited about this course! It is already a good challenge for me.

    I started yesterday trying to do the assignment with Prelude No 15. I was practicing the left hand. Good.

    Then I tried to write the chords. I could do about 4 of them for the first 8 measures. Pretty good for me since I never did this before. I am still doing Ben’s music theory course. This is the first practical application I have tried and it’s a good challenge. I will try a bit more before asking for advice here (and also not going to look up the answer somewhere on the internet).

    Then I was singing the right hand. Good.

    I next tried to put the left hand and singing together. This is a really challenging! It was not instantaneous! I will need to practice this a lot. This is a good lesson.

    I thought maybe I should perhaps choose another piece? Maybe a nocturne? 

    Thank you!

    Reply Like 2
    • Wendy if you have the time, I'd pick a nocturne from Op. 9, 15, or 37 - the second theme in the Op. 37 nr. 2 is particularly beautiful.

      Reply Like 2
      • Wendy
      • Wendy.3
      • 9 days ago
      • Reported - view

      Jarred Dunn Dear Mr Dunn, Thank you so much for the suggestions! I will look at those and then choose one. Thank you!!! Best, Wendy

      Reply Like
      • Wendy
      • Wendy.3
      • 7 days ago
      • Reported - view

      Jarred Dunn I’ve settled on Nocturne Op. 9, No. 2. It has such a beautiful melody! Thank you!!!

      Reply Like 1
    • Bryan Sable
    • Lifelong Piano Learner and Educator
    • Bryan_Sable
    • 9 days ago
    • Reported - view

    Hi everyone!

     

    I think I will use portions of the Ballade no. 1 or Nocturne, op. 48 no. 2. 
     

    Greatly looking forward to hearing everyone and growing with you all!

    Reply Like 2
    • Bryan Sable both great choices for this TWI!

      Reply Like 1
      • Adriana López
      • Concertist in the making
      • Adriana_Lopez
      • 3 days ago
      • Reported - view

      Bryan Sable it'll be interesting to hear you!!

      And what differences we can find in both of our interpretations of the Nocturne

      Reply Like
    • Ken Locke
    • Hanon survivor
    • Ken_Locke
    • 9 days ago
    • Reported - view

    Hi everyone, 

     

    I'm a little (fashionably) late arriving. I will likely choose a Nocturne once I have a look at them. I will reply to myself here once I have decided. 

    Reply Like 3
    • Ken Locke Have you decided upon a piece?

      Reply Like 1
      • Ken Locke
      • Hanon survivor
      • Ken_Locke
      • 5 days ago
      • Reported - view

      Jarred Dunn Yes! Sorry, I have a busy couple of weeks going on at work. I am starting with the Nocturne Op 9 No 2, which has a nice repetitive basic chord progression, since I had to keep things simpler under time constraints. I'm hoping to get a video done tomorrow. I'm realizing I haven't sung out loud in a long time!

      Reply Like 1
      • Ken Locke
      • Hanon survivor
      • Ken_Locke
      • 2 days ago
      • Reported - view

      Ken Locke Here is my run through, sort of, for this famous Nocturne. I'm already behind and didn't have a lot of time to practice this. So it's slow, and I was more or less sightsinging it. I realized that I've hardly ever sung while sitting down in my life. Except when stuck in traffic, alone. That doesn't help with breath control for these longer phrases. Plus I've never had any voice lessons. 

       

      I kept this as a rough cut, didn't have time to trim it. Actually, posting this "as is" becomes sort of a way to work on performance anxiety, I find. Having a bunch of strangers watch me gargle my way through it really isn't that bad!

       

      Now that expectations are set low enough, here it is:

       

      https://youtu.be/PkDOh_50byo?si=bImkWPIEcm_YKJzi

      Reply Like 2
    • Ken Locke Well done, Ken! Welcome in the Tonebase choir.  :) I really like your ornaments! 

      Reply Like 1
      • Gail Starr
      • Retired MBA
      • Gail_Starr
      • yesterday
      • Reported - view

      Ken Locke Now you have passed the most difficult part:  just getting yourself to actually make a video and post it.  It's all downhill from here.  And you can join our new, imaginary TB "stuck-in-traffic" or "visiting-the-zoo" choir!

      Reply Like
    • Kerstin
    • Kerstin
    • 8 days ago
    • Reported - view

    This is the point from which I start.

    https://youtu.be/_uZTUSnP2YE?si=QE1lXzjPVJ_TkngJ

    I tried to sing yesterday. Not that easy but really interesting. I realized, I can not play to slow. 🙋‍♀️

    Reply Like 5
    • Kerstin great to hear you on this amazing movement. A few details based in lyric playing: 0:13 let the ornament (turn) be more dynamic, it should be more like the grace note at 0:31-32 and make the line sway. Good at 0:44 letting the line grow at the top the way a singer would. 1:02 give some time to breathe between the low F-sharp and high F-sharp and then continue in forward motion. Did you try singing this part? 1:28-31 begin this melody a bit softer and grow to the high B. Same for the second time - the call/response here between moving line and chords should be clear. 2:02 make a bigger difference between tones of the alto and soprano arpeggio chord.

      Reply Like
      • Kerstin
      • Kerstin
      • 5 days ago
      • Reported - view

      Jarred Dunn Thank you so much. The last part to sing is really difficult. I will try. 😊

      Reply Like 1
    • Rick
    • Rick.2
    • 7 days ago
    • Reported - view

    Hi I am way over my head here but like to try.  However I’d like to spare everyone the excruciating experience of seeing any videos etc. trust me.  However, I have selected nocturne in e flat major. So far worked thru two measures with left hand and identified first chord. Second chord has stumped me. I think that’s enough for now.  
    thanks

    rick

    Reply Like 4
      • Wendy
      • Wendy.3
      • 7 days ago
      • Reported - view

      Rick Hi Rick, I’m about in the same place. No worries! This is for fun and learning something new. We’re not supposed to have mastered at something that we’ve never done before. It’s good to stretch ourselves. It’ll all work out fine, Cheers, Wendy

      Reply Like 2
      • Bryan Sable
      • Lifelong Piano Learner and Educator
      • Bryan_Sable
      • 7 days ago
      • Reported - view

      Rick Ditto what Wendy said!  Everyone in this group seems to be truly about the love of the instrument and our growth as musicians.  I haven't done much harmonic analysis of anything for a loooong time.  Reach out if you want a little help in that area.  :)

      Reply Like 2
    • Rick Go for it anyway!

      Reply Like 1
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    • New To tonebase? Click Here!
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    • Tonebase Lesson Discussions
    • Ask Me Anything - New Guests Every Month!
    • General Discussion
    • Your Practice Diary
    • Discussion of the Week
    • 4-Hand Piano Hub!
    • Live Streams and Events
    • Live Calendar
    • Community Concerts!
    • Community Suggestions
    • Upcoming Challenges and Two Week Intensives!
    • tonebase member concerts!
    • Live Discussion Archive
    • Hidden Thread Repository
    • Community Challenges
    • Let's Play Schubert's Waltzes!
    • A Fresh Start!
    • The Practice Plan Challenge!
    • End of the Year Challenge: "Showcase Your Progress
    • Franz Liszt Birthday Challenge!
    • Unfinished Business Challenge!
    • Mini Challenges
    • Lyrical Miniatures: A Sonorous Journey feat. Grieg
    • Celebrating Tchaikovsky's Birthday!
    • Community Challenges / Challenge Archive
    • The Pillars of Piano Technique (Mini-Challenge)
    • Celebrate Rachmaninoff's Birthday Challenge!
    • "Music YOU Love" Community Challenge!
    • Finding Colors in your sound (Mini Challenge!)
    • Preparing your pieces for Concert - A Checklist!
    • Mozart & Haydn - Music from the 18th Century! 🏰
    • Improvising Classically with George Ko!
    • The Music of France!
    • "Improve your Technique!" Month
    • February: Discovering Schubert Month
    • Bach in March
    • LONGTERM ONGOING - Bach's Goldberg Variations
    • tonebase Community Concert Challenge
    • Brahms Waltzes Challenge!
    • Beethoven Variations Community Challenge!
    • Tonebase Holiday Challenge!
    • Liszt's Soirées de Vienne Community Challenge!
    • Handel G-major Chaconne
    • Two Week Intensives
    • Improving your Lyricism (feat Chopin)
    • TWI: Improving your Scales!
    • Crash Course on Controlling your Dynamics!
    • Intensive Workshop: Compose your own Piano Piece!
    • TWI: What makes Schubert GREAT with Ben Laude
    • Improving your ability with the Left Pedal
    • Improve your Cantabile Playing with Dr. Garritson
    • Improve your Chopin Mazurkas with Jarred Dunn!
    • Narrative Musicianship w/ Konstantin Soukhovetski
    • Improvising a simple ABA Piece with Jeremy Siskind
    • General Information and Sign-Up!
    • Public Spaces!
    • Two Week Intensives / Two Week Intensive Archive
    • Lesson discussion archive
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    • "Becoming an Orchestra" TWI with Daniela Bracchi
    • Bach's Polyphony Intensive with Magdalena
    • Improve your MOZART sonata with Orli Shaham!
    • Improving your Sightreading with Leann Osterkamp!
    • Improve your Chopin Etudes with Henry Kramer!
    • Improve your Arpeggios with Claire Huangci
    • Improve Your Harmonic Analysis with Ben Laude
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