Mastering Tricky Passages - Ask your Questions!

Wed Sep 24 at 11 AM - 12 PM PDT
Wed Sep 24 at 11 AM - 12 PM PDT
Event by Team

Welcome everyone - Dominic is back to help you! Do you have questions about your playing, fingering, challenging passages, or musical hurdles you’re trying to overcome? Whether it’s a simple query or a complex issue, every question matters, and every solution makes a difference! Join us live today for real-time advice and solutions from Dominic Cheli—your guide to mastering music, one finger at a time!

 

Leave any and all questions below!

2 replies

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    • claudiadm73
    • 2 hrs ago
    • Reported - view

    Dear Dominic, thank you for this opportunity; I have two questions:

     

    1. I still can't understand and use the weight of my arm correctly. I know very well that to avoid tension, I have to play with a very relaxed arm and wrist. This gives my fingers a lot of support, allowing them to sink well into the keys, especially in legato and phrasing. However, it slows me down and makes staccato difficult. If I remove the weight, however, I'm faster, but I feel like I'm losing my phrasing and control of the tension, which I'm starting to feel in some cases.

     

    2. Even thirds are still a mystery😅... If I play them with relaxed fingers and arm, they're very soft and legato with a nice legato feel, but if I remove the weight and curl my fingers, my hand starts to feel more tense, and the legato is stiffer...less fluid.

     

    I understand that these may seem obvious, but I struggle with them every day😔...

    • Wolfgang_s
    • 21 min ago
    • Reported - view

    Hi Dominic,

    a question regarding Chopin's f# minor Polonaise op.44:

    do you have any ingenious fingering for the infamous runs at mm 250 & 258 and any helpful advice how to practice them?

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