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Along with Priya - the Bach Chaconne arr. Busoni and the Barcarolle by Chopin. I was ALMOST there with the Barcarolle - 7 pages memorized, but got stuck and gave up. Then I broke my left wrist. Now, octaves in the left hand are just now coming back - a bit painful yet - so definitely these will be bucket list...luckily Bach's English Suite #2 is still playable right now. But so many many more beautiful pieces to play. At 70 now, it is my goal to last as long as Seymour B.(although I'll never be as good).
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My bucket list item is the Rach 2. When I was an angst-filled teenager, I would listen to it every night - this went on for months. Then I somehow "lost" it: I stopped playing that particular cassette tape on my walkman and then I forgot what it was altogether. I "found" it again shortly before I started taking lessons about 6 years ago, which brought me to tears. It inspires every piece I learn and practice. I may not ever play it in its entirety, but someday I vow to learn at least the "easier" parts of it. If and when that day comes, I will then set my sights on the Rach 3. I'm all about goals!
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I passed my Grade 7 Associated Board of Royal Schools of Music exam in 1987 which was the year I left school. I then went on to study music and got a degree from Glasgow University. I鈥檝e never stopped playing the piano but about 8 years ago started practising more seriously again. I always wished that I had sat the Grade 8 exam but never got round to it so last year I decided to finally do it. 36 years later I鈥檓 just about ready to record my Grade 8 performance submission. Fingers crossed!!
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Learning and playing (I won't say performing because it would likely be in front of an audience of no one but myself) "La Rousserolle Effarvatte" (The Reed Warbler) from Olivier Messiaen's "Catalogue d'Oiseaux". Call me a hopeless nerd, but hear me out: this is half an hour of piano music depicting one day - from midnight to midnight - at the edge of a lake, listening to the silence of the night, the sounds accompanying the rise and setting of the sun, and the singing of other birds in the swamp, the reed, and the surrounding fields and woods: blackbird, pheasant, starling, white wagtail, water rail, nightingale... When at the end the recurring song of the reed warbler finally subsides and gives way again to the rumbling "choir of frogs" and the infinitely quiet and tender "music of the ponds" that we heard at the very beginning , the night has set on another day and covers everything with a soft blanket of rest and peace, save for one last defiant cry of the Great Bittern. Those last two pages of music invariably bring a smile to my eyes. The entire piece is, to me, an unspeakably moving portrayal of the beauty of nature (and, in Messiaen's concept, God manifesting through it); listening to it intently and utterly undisturbed is always a quasi-religious experience for me. I would so very much love to one day play it - and I know there's simply no way I'll have the time or the patience to learn it before retirement. But that's just fine.
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Rodney A
As an octogenarian amateur my bucket list is to perform at a small performance for friends and neighbors a program entitled "A Taste of Debussy while sipping French wine". I have given myself time to the end of the year to prepare but only including early and easier works. Reflets is the challenging one.
Wish me luck.
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My bucket-list item is Rachmaninoff's 18th variation from A Rhapsody on a Theme of Paganini. My dad played the Somewhere in Time soundtrack when I was little and I was always captivated by that piece. I would also like to eventually play and entire Bach French Suite.
On the not so classical side of things would be Nobuo Uematsu's Melodies of Life from the Final Fantasy Piano Opera VII/VIII/IX.