Piano Manufacturers and Brands: A discussion!

Hello Everyone! 

Here is a place for us to chat about our favorite pianos, questions, and general conversation!

 

What instruments have you loved playing lately? Which brands surprised you (in a good or bad way)? Have your preferences changed over time as your ears and technique developed?

 

Feel free to share:
• Your favorite grands or uprights you’ve played  
• Differences you notice between brands in touch or color  
• Hidden gems or underrated makers  
• Questions you have if you’re shopping or comparing instruments  

No right answers here — just experiences and impressions. Curious to hear what everyone is playing and why it speaks to you.

122 replies

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    • Leon_Rasberry
    • 3 days ago
    • Reported - view

    I like the old Baldwin upright and grand pianos.  They used to be at my college campus over 40 years ago, but Yamaha uprights dominate now days.  I have long fingers, but the Yamaha upright pianos have too stiff and too deep a key action for my taste.  I suppose I would live with the touch if I had a larger sized grand piano Yamaha Disklavier (or better yet Bosendorfer Disklavier).   I liked the lighter and more shallow key action on the Baldwin upright and grand pianos.    The old Mason & Hamlin and Aeolian pianos were perfect for my wider than average finger tip width; although, some old Steinway pianos accommodate my wide finger tips too.  

      • Leon_Rasberry
      • 2 days ago
      • Reported - view

      I have sampled many pianos at various music stores, piano studios, and the colleges and conservatories where I have taken piano lessons. I have not played my acoustic upright for about 8 years (It is a Samick Console piano which I bought 35 years ago on a rent to own basis.). I spend most of my time on my Roland FP-90, which I have had for 8 years. I practice sightreading and learn the notes to many of my pieces on PianoMarvel.com. I play mostly Classical music. But, I also play a lot of Pop, Blues, R&B, Jazz, Country, and Rock music. Piano and music are just my hobby; I do Software Engineering for career.

    • Maria_F
    • 3 days ago
    • Reported - view

    Does anyone have any observations on piano key width and depth across brands?

      • Owner of the world's tiniest piano store
      • clavierhaus_Vienna
      • 3 days ago
      • Reported - view

       Those parameters can be adapted by any competent technician within a wide range of adjustments. The standard settings are basically the same across all brands.

      • Maria_F
      • 3 days ago
      • Reported - view

       What I meant is that it seems to me like some pianos' keys are wider than others. I know that the key depth can be adjusted.

      • Owner of the world's tiniest piano store
      • clavierhaus_Vienna
      • 3 days ago
      • Reported - view

       I don't think there are keyboards with different key width around, simply because it is desirable for pianists to have a uniform scale of the keyboard. But also, because there few manufacturers of keyboards left outside of Yamaha and Kawai who produce their own.

      Steinway is said to have produced a slightly smaller keyboard for Josef Hoffman, but this rumor cannot be confirmed, because such a keyboard has never been spotted anywhere.

      The one exception is Chickering. They manufactured a keyboard in the early 20th century that had a slightly different spacing between black and white keys; I have played two Chickerings from that era and they both felt weird.

      • Noel_Nguyen
      • 3 days ago
      • Reported - view

       I heard that pre-1990 M&H have shorter black keys than standard. I played on one last year, didn't feel any difference.

      • Maria_F
      • 3 days ago
      • Reported - view

       I didn't mean a significant difference, it just seemed to me like Steinways, for example, had slightly wider keys than Brodmanns. 

      • Maria_F
      • 3 days ago
      • Reported - view

       I just read that there is a 3 mm difference in octave width across brands. 

      • Leon_Rasberry
      • 2 days ago
      • Reported - view

       I had forgotten about old Chickering pianos. The black keys seemed to be much easier to grab large chords.  There was manufacturer that claimed to have drop-in replacement keyboards that fit a wide range of grand pianos for pianist with smaller hand-spans.  It has been between 10 to 20 years ago, but I believe Steinbuhler was the manufacturer.  Last year, another company (Narrow Keys) started producing complete digital keyboard instruments for those with smaller hand-spans.  For home great options; however, I don't know how practical it is for most people to count on being able gain access to such acoustic or digital instruments for lessons or performances.  That is why I do play Yamaha pianos whenever I can in order to keep my touch adapted to them.   

      • Maria_F
      • 2 days ago
      • Reported - view

       My concern with stretto keyboards would be a pianist being unable to play a stretto piano in concert, and not being able to play a standard piano because he or she is out of practice. I meant slight variation, not stretto/narrow keyboards. 

      • Andrew_Smith
      • 2 days ago
      • Reported - view

       Salem College in NC has a small collection of pianos with varying key width. You could probably contact Barbara Lister-Sink if you wanted all the details. Our Baldwin 6-foot has slightly narrower keys, making Chopin and 10ths easier. My sister's Boston by contrast has what I suppose is the maximum width and those wide arpeggios really become a stretch. And then I have a friend with a gorgeous Steinway, I think 7 foot, from the 1930s, but its keys are even narrower, so I don't like to practice things with big jumps and chords like Rachmaninoff on it because of having to readjust. 

      • Andrew_Smith
      • 2 days ago
      • Reported - view

       Also, Josef Hoffman had a custom-built piano with narrower keys to accommodate his smaller hands. 

      • Owner of the world's tiniest piano store
      • clavierhaus_Vienna
      • 2 days ago
      • Reported - view

       et al:

      I am completely confused now. By what definition would you describe wider/narrower keys, but not addressing stretto keyboards? What measure would calipers take to come up with a comparable number that would somehow make a noticeable difference?

      I am aware of the Josef Hoffman keyboard (even though its physical existence is in doubt by some, including me), I know about Chickering's different spacing. 

      Then I hear stories about older Steinways that supposedly have different keyboards from either today or much earlier such as my two from 1886/87. This I also doubt.

      So, can someone please shed a light ideally by an illustration and some source to get to the bottom of things in a non-hearsay way, please? 

      • Maria_F
      • 2 days ago
      • Reported - view

       I was addressing stretto keyboards, just not specifically. 

      I was mostly interested in whether anyone else felt like it was, for example, easier to reach a 10th on a Steinway then a Bechstein.

      I am also confused by this conversation. 

      • www.narrowkeys.com
      • Linda_Gould
      • Yesterday
      • Reported - view

       New York Steinways used to have narrower keys than German Steinways.  My piano teachers wife had a New York Steinway for that reason (her hands were small but she was an amazing pianist) and all of us with smaller hands loved it.  I have a Yamaha CF grand with standard keys, a Yamaha G2 grand retrofitted with D.S. 5.5 keys and the Narrow Keys digital 5.5 piano.  I can go between all the keyboards and adjust quickly.  The more I play the narrow keys the more I am refining my technique.  I can play a lot more of the piano literature on narrow keys but adjust to large keys if I have to play on them.  

      • Owner of the world's tiniest piano store
      • clavierhaus_Vienna
      • Yesterday
      • Reported - view

       I seriously doubt all that.

      I got two older NY Steinways, currently have a Hamburg B in commission and I used to own a Yamaha CF as well.

      I am confident that all of them have identical key width.

      Pull out your calipers and let us know what there is in terms of measurable difference across the named models that are consistently outside of manufacturing tolerance.

      • Andrew_Smith
      • 20 hrs ago
      • Reported - view

       Peter, I told Maria in one of my replies that I have in fact recently played a 1930s Steinway whose keys are significantly narrower than modern ones. And the 6-foot Baldwin in our home is a little narrower than modern Steinways. So it is a thing. However, I am not sure what Maria means by stretto keyboards, because she inquired about different widths and I told her Salem college has pianos specifically designed with different width keys but then Maria said she wasn't asking about stretto when I mentioned the Salem collection. But the gist/fact of the matter is that there are pianos with different key widths-- some width differences are only marginal, but some are large enough to affect one's playing. 

      • Maria_F
      • 20 hrs ago
      • Reported - view

       I meant that I didn't specifically mean major, deliberate differences. I also didn't mean that I was looking for a narrow-keyed piano. I was mainly referring to marginal differences. 

      • Andrew_Smith
      • 20 hrs ago
      • Reported - view

       Ah, got it. Thanks for clarifying. 

      • Maria_F
      • 20 hrs ago
      • Reported - view

       I am aware that I phrased things strangely. 

      • Noel_Nguyen
      • 20 hrs ago
      • Reported - view

      Regarding Hofmann's custom built pianos, the only thing I could find in terms of more or less official info is this:

      https://www.steinway.com/artists/josef-hofmann#:~:text=Hofmann%20had%20small%20but%20exceptionally,slope%20from%20rear%20to%20front.

      Regardless, it's a fascinating topic, considering his legendary virtuosity. I'd certainly want a custom sized keyboard, even though I have normal sized hands. Why not optimize? It's not like I'll need to travel with my piano. I just want to occasionally perform and record at home.

      • Maria_F
      • 4 hrs ago
      • Reported - view

       PASK mentions Hoffmann on their website:

      https://paskpiano.org/keyboard-history/

    • Stefano_Montani
    • 3 days ago
    • Reported - view

    I just bought a Petrof P118 upright piano, and it's my favorite. I had a Petrof before, thirty years old. I went to various piano shops to try out different ones, but only this one made me fall in love with its sound. The others seemed flat to me. But this must be a deformation due to habit and a certain inability to hear. This transition made me rediscover what it means to have a musical instrument under my fingers. There are certainly better pianos, because they are richer in possibilities. But in the end, what matters most is what you ask of your piano, more than what the piano can give. This is something I learned very late because, incredible as it is, none of my teachers was ever able to teach me what it meant to play a piano: searching for the sound, learning to find the sound you need, exploring what's possible. And I've never been musical enough to intuit it on my own. The instrument can be more or less rich in possibilities, but if you don't know how to ask the right questions, of it and of yourself, it's utterly useless. I owe my old piano more than a few apologies.

      • Karen_Sam
      • 3 days ago
      • Reported - view

       Exactly. My mentor’s criterion is whether he can make music on the instrument. That’s all he asks.

Content aside

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