Piano Manufacturers and Brands: A discussion!
Hello Everyone!
Here is a place for us to chat about our favorite pianos, questions, and general conversation!
What instruments have you loved playing lately? Which brands surprised you (in a good or bad way)? Have your preferences changed over time as your ears and technique developed?
Feel free to share:
• Your favorite grands or uprights you’ve played
• Differences you notice between brands in touch or color
• Hidden gems or underrated makers
• Questions you have if you’re shopping or comparing instruments
No right answers here — just experiences and impressions. Curious to hear what everyone is playing and why it speaks to you.
124 replies
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I like the old Baldwin upright and grand pianos. They used to be at my college campus over 40 years ago, but Yamaha uprights dominate now days. I have long fingers, but the Yamaha upright pianos have too stiff and too deep a key action for my taste. I suppose I would live with the touch if I had a larger sized grand piano Yamaha Disklavier (or better yet Bosendorfer Disklavier). I liked the lighter and more shallow key action on the Baldwin upright and grand pianos. The old Mason & Hamlin and Aeolian pianos were perfect for my wider than average finger tip width; although, some old Steinway pianos accommodate my wide finger tips too.
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Does anyone have any observations on piano key width and depth across brands?
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I just bought a Petrof P118 upright piano, and it's my favorite. I had a Petrof before, thirty years old. I went to various piano shops to try out different ones, but only this one made me fall in love with its sound. The others seemed flat to me. But this must be a deformation due to habit and a certain inability to hear. This transition made me rediscover what it means to have a musical instrument under my fingers. There are certainly better pianos, because they are richer in possibilities. But in the end, what matters most is what you ask of your piano, more than what the piano can give. This is something I learned very late because, incredible as it is, none of my teachers was ever able to teach me what it meant to play a piano: searching for the sound, learning to find the sound you need, exploring what's possible. And I've never been musical enough to intuit it on my own. The instrument can be more or less rich in possibilities, but if you don't know how to ask the right questions, of it and of yourself, it's utterly useless. I owe my old piano more than a few apologies.