Counterpoint Come Alive: Articulation and Dynamics in Bach

Hilda Huang, tonebase's piano Community Lead, pianist, harpsichordist and Bach-interpreter will speak about applying articulations and dynamics to make counterpoint come alive on the modern piano. 

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  • We're going to a concert on Sunday at 3pm GMT, so could be back in time to see this live.  The concert is Bach's Well-Tempered Clavier Book II.  Pierre-Laurent Aimard is the pianist.  Will catch-up on the play-back, if not. 

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    • Ray G
    • Raymond_Gornik
    • 2 yrs ago
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    Looking forward to today's lesson. If possible could you look at Book II Fugue XVII in Eb Major BWV 886? I'm trying to learn this and don't know how to determine articulation for the 1/16 notes when the Subject isi being played as opposed to when the Subject is not played. Thanks, Ray

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