WEEK 2: Bach in March Practice Updates
As we enter week 2 of Bach in March, I'm pleased to share that I've finished memorizing my Bach Toccata in D minor and I can't wait to play it for you on March 20 in my upcoming livestream, Counterpoint Come Alive. I'll talk about how one can use dynamics and articulation to bring out Bach's playful counterpoint.
For this week's discussion prompts, I want to shake things up a bit! Instead of me asking you questions, I want you to ask each other questions!
Here are some questions that may help you enter into conversation and understand how your fellow pianists play, practice, and experience music. Listen and read their practice update and identify something you're curious about. Then - ask them!
- How did you decide upon your tempo?
- What makes you feel connected to your piece?
- Who have you heard play this piece before?
There's always going to be a first person to post... so that's going to be me! Here's a short video of an excerpt from my D minor toccata. Please ask me a question, and I'll respond!
I'll be so curious to see what we all learn from and about one another!
87 replies
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Here is my latest Invention 1. My teacher gave me a great idea for getting it right - cut each line so it's on a different piece of paper. Randomly play each piece until I make no mistakes. Then put it together. It has helped so much!
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Such beautiful playing, Hilda! My questions are: how do you decide upon your tempo for a particular Bach piece? and what makes you feel connected to your piece?
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Lovely toccata, Hilda! Question: Do you memorize as you go along, or do you nail everything down and then start to memorize?
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Episode 2 of Bach BWV 992 Capriccio sopra la lontananza del fratello dilettissimo “Capriccio on the departure of a beloved brother”.
Still trying to convince the beloved brother not to leave in episode 1, in episode 2 the title is
"A depiction of the calamities that could befall him".
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thankyou for playing this theme. It's my first time to hear it. Very nice.
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Here's my week 2 progress video. The page turn occurs in a particularly tricky part of the piece, so I've been practicing with my ipad and wireless page turner. It takes some getting used to as the ipad can only show 1 (instead of 2) pages at a time so doubles the page turns, but having my right foot free from any use of the sustain pedal helps. The piece still needs to be cleaned up in places which I hope to do in this last week of the challenge.
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Hilda Huang since we are in Bach month, can we have a brief theory lesson on the baseline of Goldberg variations? I look at the variations, and they seem to not have a fix baseline, but vary from variation to variation.