Group 2
Welcome to the latest TWO WEEK INTENSIVE on tonebase!
For the next two weeks either start learning OR take a Chopin mazurka in your repertoire to the next level through guidance and assignments from Jarred Dunn! Learn about stylistic advice, aspects of the dance and more!
Pianists of all levels are welcome.
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Assignment #1: Seeing the Mazurka
1) Watch Mazurka Dance Lessons 1, 2, and 3:
http://www.tance.edu.pl/en/lessons/show/dance/720
-Pay close attention to Lesson 3: the lesson builds rhythms from what we hear as a Waltz into a clear accent on 2nd beat, 3rd beat, and both 2nd/3rd beats
2) Learn one Mazurka
Choose one from the following suggested opuses for the whole TWI.
Week 1: Practice the LH:
-Op. 6 nr. 1, nr. 2
-Op. 7 nr. 1, nr. 2
-Op. 24 nr. 1 or 2
-Op. 30 nr. 1 or 2
-Op. 67 any
- or a different mazurka
Practice Activities:
a) Identify/mark all articulation in LH parts.
b) Clap the rhythm, emphasize accents and count aloud (speak louder for accented beats, eg. "one, Two, THREE" or "one, TWO, Three" etc.)
c) Identify/mark any unknown harmonic shifts or chords.
d) Find all cadences and notice unfamiliar accents (beat 2).
e) Voice tops of chords in LH or find a moving line (could be the middle notes of a chord that change).
f) Use RH for chords and LH for bass lines.
g) Circle any rests/pauses - they need to be heard.
Upload videos of your LH practicing/playing.
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ASSIGNMENT 2
Second Assignment: Continue your new Mazurka
Week 2: Practice the RH:
Listen to instruments, timbres, and moods in the following:
Kujawiak: https://youtu.be/RjV1bpxi0bc
Mazurek Dąbrowskiego: https://youtu.be/mTx45S-dQmQ?t=4
Chopin Mazurkas/Folk Mazurkas: https://youtu.be/n8OyddwnVbE
Look For/Listen For:
a) Learn the soprano part (melody), always sing/scream with it when you play. Think of dancers in this video: https://youtu.be/p6svoYBEWCs?t=10
b) Add ornaments after you learned the rhythms of the melody.
c) Dotted rhythms and triplets must sound distinctly different (no slackened dotted-eighth/sixteenths).
d) Accents on beats two and three can be subtle: try different levels of pressure/weight on the keys, to create at least four different accent types: sudden accent, leaning/swaying accent, light accent, heavy accent.
e) Remember that recording yourself is the best way to find out if you're actually doing what you intend. Record your melodic playing/singing/screaming whenever you practice.
Upload videos of your RH practicing/playing.
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- Sign-Up : starting July 14
- Course Period: July 17-31
- Class Size: ALL are welcome!
- Optional check-In via Zoom: July 27th 9am PT
CHECK IN VIDEO!
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Hello all,
I've chosen 67 no. 2. It sounds so gorgeous when I listen to a recording (Alexej Gorlatch piano recital 2017). Realistically it's a stretch piece for me, but I couldn't miss this opportunity...
I've heard it played at different tempos, and I definitely prefer the slower one - not sure how the dancers feel about that though?
Thank you for these wonderful suggestions, i'm up early and getting started right now!
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I always enjoy playing the Mazurkas, so I picked one from the list above (op. 67 #4) and made a recording but skipped the repeats for now. I'm very excited to be able to get some feedback to help improve from Jarred, what a wonderful opportunity! Jarred, I've really enjoyed your tonebase livestreams and courses.
I'm using the Henle edition, but am also interested in recommendations for other editions. Sometimes different editions can bring useful info and alternative fingerings. Thank you!
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Here is my first video, Chopin Mazurka, Opus 30 Nr. 2. Working out of the Henle edition. Playing left hand through the first 16 measures. It feels very clunky, this is rather rough take, I wanted to at least get the video posted, I know it need more refinement. I wanted to get some feedback to make sure I am on the right track.
Some observations – the top note of the LH descends nicely from e down to d, from measure 2 to 8, something I probably would not have noticed had josh not mentioned to look for it.
The only accents in my edition are in the right hand, so I am not confident about knowing when to use two or three as a strong beat. I can see that the right hand part will help with that, this is new to me to figure out. That is why I am here, LOL.
I have listened to a few various recordings, clapped, and have been doing my best to analyze.
Any feedback is appreciated, to continue on.
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UWAGA! ATTENTION!
Polskie Instrumenty Ludowe / Polish Folk Instruments click below to hear and see!
https://folk.instruments.edu.pl/pl/instrumenty/categories/category/316