
Digital Piano for Serious Headphone Practice â Kawai CA vs Roland LX?
Hello everyone,
I have a baby grand at home, but due to a busy schedule (and the fact that I live in an apartment), I often have to limit my playing time, especially after 9:30 pm. That is why I am now looking for a high-quality digital piano primarily for use with headphones. As a mature and serious amateur, I listen to and play piano regularly, and I enjoy studying pieces in depth. So I am looking for an instrument that offers a realistic grand piano experience in terms of action and sound, not just a lightweight-key digital keyboard that would not support sustained or expressive practice.
It seems like a great moment to buy a digital piano, with recent advances in both sound modeling and mechatronics. I am currently leaning toward the Kawai CA series (either the CA-701 or CA-901). They have received outstanding reviews and are praised for their responsive wooden key actions and Shigeru Kawai samples. The CA-901 even includes a wooden soundboard with transducers for added realism, but since I will mostly be playing through headphones, the CA-701 might already meet my needs.
I am also curious about the new Roland LX series (LX-6 or LX-9), which use modeled (rather than sampled) sound. From what I understand, this allows for a broader dynamic and tonal range, perhaps not more ârealisticâ in the traditional sense, but very compelling in its own right. Roland also offers progressive (continuous) pedal sensitivity, while Kawai still uses a more conventional half-pedal mechanism.
I would love to hear your thoughts:
- Do any of you own or have experience with these models?
- How do you find the key action, sound realism, and headphone experience?
- Are there particular features that made a real difference for you in daily practice?
And while we are on the topic: do you have any headphones you would especially recommend for digital piano use?
Thanks in advance! I am very eager to hear your impressions and suggestions!
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I bought a digital stage piano from them and they were very helpful. They will spend time on the phone with you. They recommended the CA-701 to me to use at night when I can't use my Steinway L. Any Sennheiser headphones work well--over the ears are better than buds.
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I recently did some research and shopping for digital pianos, so let me share my experience. I am returning to playing after a 30 year hiatus from an injury. I used to play on a Steinway L, so I know what good acoustic grands sound and feel like.
At the piano showroom, the salesperson was steering me toward the Kawai CA series, and yes, I could tell right away that it's got the touch and sound that I'm accustomed to. I ended up buying the ES-920 for now (portable), but this store offers me a 100% trade-up value policy if I decide to move up to the CA series later. So that's what I did.
I can say even with this portable Kawai, I'm very happy and impressed all around.
As far as headphones, I agree Sennheiser is great. That's what I have. Just be sure you get the wired kind, NOT bluetooth, which would have an annoying delay.
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Mr. da Silva,
I used to own the Kawai CS11. I eventually sold it and bought the Kawai ES 920. Like you, I am a serious hobbyist who owns a grand piano (Estonia L210). Youâd think that going from a digital piano to a slab keyboard would be insane. However, let me explain.
The CS11 has a beautiful cabinet but that cabinet is the majority of the cost- not the speakers and microchips that actually matter for sound and playing experience. The ârealâ soundboard doesnât actually make the sampled sounds anymore realistic to the ear and is actually very small in comparison to the soundboard of an acoustic upright of the same size. Itâs really just a gimmick that Kawai uses to make itself stand out in the crowded field of competition. The pedals on the CS11 use springs to recreate the feeling of depressing pedals with rods and a trap system as in acoustic grands. It feels more like a cheap upright mechanism than a fine grandâs pedal system. Finally, the action on the Kawai, while good, STILL does not feel like a true grand action. Part of the problem is the short key sticks themselves. The other issue, of course, is that the âhammersâ are just pieces of plastic making contact with the digital sensor strip in a much different way than acoustic piano hammers hitting strings. It is VERY unsatisfying to play once you get a few hours of playing on it under your belt. The sound, however, is quite good, especially via headphones (I use a pair of AudioTechnica studio series headphones, theyâre terrific!)To me, the Roland sound samples were less convincing, the action felt even less realistic BUT the pedals were nicer.
Like you, I was only interested in finding something I could play on with headphones. I once owned a Kawai upright with a silent system which was MUCH more satisfying to play on but to purchase one again would be more than twice the investment of a digital. I eventually discovered that Kawai has the same chips in their slab keyboards that create the same realistic sounds (you can also hook up a laptop, download a VST, and get SIGNIFICANTLY better sound samples that are hyper realistic). The actions arenât perfect, but to me, the ES901 had a better touch that was less âgummyâ feeling than the CS11. Additionally, the pedals you can order for the slab keyboards feel better too- not perfect, but better. So I realized no digital is going to give me the exact playing experience of my grand (not even the Kawai Novus series though I should say they come close but are a lot more expensive). I also realized sound and touch were more important for me than a fancy, heavy cabinet. So I bought the ES instead after selling the CS. If I could do it all over yet again, I would buy the Kawai VPC slab and use a really high quality VST. The Kawai VPC has perhaps the best touch of all their digital and keyboard offerings. It has no extraneous sliders, knobs, equalizers etc. that us acoustic players donât need and arenât interested in. Some VST libraries include Shigeru Kawai samples that are recorded with better realism as well as the other top tier grands like Bösendorfer, Hamburg and NY Steinways, Yamaha CFX, BlĂŒthner, Fazioli, etc. You can adjust all the parameters, including let off, damper resonance, action ânoiseâ and equalizing directly in the software which appears a little intimidating at first but is actually pretty user friendly. So with the VPC1 selling for about $2500 US, a VST software package for about $400 US, and a top-of-the-line pedal system and stand for the keyboard- maybe another $400? You have a practice instrument with better sound, better touch, better samples, and portability (if you care about that) for around $3500 US. The Kawai CS11 is now retired but the new version, the CA99 is currently around $5000 at the dealers near me. I say, save the other $1500 for some sheet music from Henle!
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Another option I can recommend:
A Kawai VPC-1 Midi Keyboard which has a very good action (like the Kawai CA-series). Connect it to a Mac mini M2 or later and use the software "Ivory III American Concert D" from Synthogy, and you have the experience of playing on a Steinway D grand. I think that's currently by far the best digital piano sound you can get.
Disadvantage: you need the keyboard, the Mac and the software, and a good speaker system (if you do not want to be restricted to headphones), which need to be switched on before you can start.
Advantages: if one of the components is broken, you just have to repair or replace one component of your setup. Transport / moving is much easier. Cheaper than an all-in-one digital piano. You can easily use other software / other virtual pianos. Upgrades will be easier and less expensive. And the sound is really the best IMO.
I have a Kawai CA-79 which is good, but once I tried the Ivory software, I could no longer just use the Kawai sound. So now the CA-79 is just the keyboad/MIDI controller most of the time. I should have known earlier, and could have saved some money. I saw a similar setup in a YouTube from "The Independent Pianist" (listen to his YouTube recordings, which are made with a comparable setup, really very good and hard to distinguish from a "real" instrument).
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With a digital piano there are two considerations - sound and touch.
If the feel of the keyboard is most important to you, check the Yamaha Avant Grand series or the Kawai Novus.
Both have modified acoustic piano actions with escapement.
A good pianist I know, however, sold his Avant Grand in favor of a Casio GP-310, which feels better to him.For playing with headphones you can use the sound that comes with the piano. Or you can connect your piano to a computer and have it control any number of sound libraries that you can purchase. The VPC-1 keyboard another poster mentioned requires an external sound source.
I've lived in an apartment with cardboard walls for 40+ years and only play out loud a few hours per year. The rest of the time is just with headphones.
I have an older model Yamaha Avant Grand N3. I sometimes play it with its own sounds. At other times, I use it to drive a Steinway or Fazioli virtual instrument.Here's a link to what it sounds like driving a Steinway. (Although I recorded the audio directly into the Android phone, which somewhat compresses the dynamic range.)
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I bought the CA-701 for similar reasons after trying most of high end digital pianos. I think the Kawai Novus NV10 was nicer but not worth being more than three times the price. All the Yamahas felt very heavy despite the nice sounds other than the NU1xa but that has you tied to an upright action. Iâm broadly happy with the Ca-701 and itâs relatively easy to go from it to a good grand piano without too much adjustment.
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I use a software solution - MODARTT Pianoteq 8 Pro Edition. Itâs not sample-based, but itâs a digital modeling program, and a convincing one, at that (as good as Iâve heard from a digital). It has models of many popular instruments- mine is the Steinway B. Paired up with good quality controller, itâs a winning solution - better than ANY discrete digital piano Iâve played.
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Christopher Macy said:
better than ANY discrete digital piano Iâve playedPianoteq is, I've noticed, rather polarizing. People either REALLY like it or REALLY find its sound nasal and annoying.
There are many nice features to Pianoteq - the variety of piano sounds, mic positioning, so many adjustment options, and the ability to have it automatically record your playing in case you have a magic moment.I have Pianoteq, the various Ivory (II and III) libraries, most of the VSL pianos (which I hardly ever touch - their lack of una corda bothers me), the Garritan CFX, and the VI Labs Modern D, which is what I most often seem to play (with Ivory or Garritan being occasional alternates).
It's nice to have choices!