Level 4 – Repertoire, Course Lists & Discussion Space
Level 4 description
You can manage a minuet and are ready for works that explore longer forms and wider range of emotions. But before you can tackle a classical sonata, you should learn a sonatina. And before you can perform a romantic concert piece, you should play a short character piece. You may also choose to fast-track your way to your favorite pieces with our accelerated course, learning musicianship skills and repertoire at the same time. Level up your technique and keyboard skills with our recommended courses and practice labs, or put your classical training on hold and pick up some improv skills with our blues play-along course.
Level 4 recommended study pieces
- BEETHOVEN: FÜR ELISE
- BEETHOVEN: Sonatina in G major
- CLEMENTI: Sonatina in C major, Op. 36 No. 1
- KUHLAU: Sonatina in C major, Op. 20 No. 1
- SCHUMANN: “Chorale,” Op. 68 No. 4
- SCHUMANN: “The Wild Rider,” Op. 68 No. 8
- SCHUMANN: “The Happy Farmer,” Op. 68 No. 10
- SCHUMANN: “Little Study,” Op. 68 No. 14
Level 4 recommended courses
Level 4 practice labs
Accelerated course
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Questions & Discussion
↓ Reply below to ask any questions about this level, or to get a second opinion from fellow users! ↓
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I've just performed For Elise at a family gathering.
Currently working on Chopin Prelude #7 and Mozart K545.
As far as scales, arpeggios, and cadences. I currently go through the circle of fifths choosing 2 major and (related) minor scales of focus each week. I'm doing 3 octaves major scales and 2 octaves harmonic minor. The questions seemed to jump from 1 octave to 4 oct. I feel I'm well past being comfortable with all keys for 1 octave, but not quite doing 4 octaves at whatever BPM you listed.
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The quiz placed me at level 2, which I think is accurate, but I just learned the Kuhlau in level 4. I can pla6 it, but not with the full articulation, dynamics, and subtlety it deserves, and not yet at tempo. But I've gone as far as I can with it right now, and have gone back to my true level! Nevertheless, being able to play the Kuhlau was a huge achievement, even if I play it imperfectly. I'll continue playing it a couple of times a week to keep iit in my fingers.
Level 4 is definitely above where I am now in terms of my piano skills, so I'll work through level 2. I also just learned Minuet in G and G Minor (as well as D Minor) are on my list to do asap. I think the courses and technique work will really help me. I've been working on major scales and chords, but have never done arpeggios, and ornaments still intimidate me. Mastering the mordents in Minuet in G was a real confidence booster.
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One of the questions was interesting and that some others mentioned above - can you play all scales and arpeggios in all 12 keys major and minor? I answered 'Can't do it' to this question. I've been playing scales in all keys for several years and know them comfortably by heart, but tempo-wise I'm nowhere near the MM=144 in 16ths indicated in the question. I can't imagine ever getting to 144 in all keys (or even any key) but particularly B minor, Bb minor and a few others. My fingers just feel like they're full of sand above about MM=80 (4 notes per beat).
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This was a really interesting quiz!
I've been a classical percussionist for 10 years and am only now really learning piano, so I answered some skills at 5 and others at 1 because they transferred over from my previous study. The description at the end does sound fairly accurate for me though, because I do get impatient reading through pieces that are too easy, but my hands struggle to get around things like moving chords or large intervals.I decided after taking Robert Durso's course on Tonebase to pursue Taubman Approach lessons in person, so I'm seeing a lot of progress and I'm really excited about the physical freedom that I'm discovering there. We finally started looking at repertoire and decided to start with a Fughetta by Pachelbel, and it feels pretty easy to get my hands around it.
I'm somewhat unsure about what I can "safely" incorporate from the courses here because Taubman Approach seems to be so different from other techniques being taught. -
@Ben Laude I am mid-way through your Piano Theory suite of videos and just want to say ... Bravo! I had the basics of major and minor keys, and Circle of Fifths, etc, but you explained these concepts in so much more detail and with a more thorough explanation of the "why", which made it quite fascinating. I almost did not watch these videos because I thought I already had all the content, but - - wow, I was more clueless than I thought - - this was really superb. You are a fantastic teacher - many thanks Mr. Laude!!