Group 1

One of the most valued skills in music is having the ability to sightread with ease. That is because it aids in so many things: learning music quickly, being able to play with friends/colleagues on minimal practice time, and most importantly, being able to evaluate a new piece and its possibilities!

Join Leann as she leads a new Two Week Intensive designed to improve your sightreading through focused advice, tips, exercises, and more! Let’s start playing NEW music!

  • Course Period: October 17th - 28th
  • Class Size: max. 4 Groups á 10 Participants
  • Optional check-In via Zoom: October 24th at 3pm Pacific time!

https://us06web.zoom.us/j/89265945226?pwd=NS9iTEd0aFJ2ME03TUs1Y2tTaExYZz09

 

Assignment 1

 

 

Assignment 2

 

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    • Hac
    • Hac
    • 2 yrs ago
    • Reported - view

    Hello everyone, I'm Hac and I look forward to improve my sight reading skill as I have a problem with rhymth and sometimes I got confused with the note names. So excited! I just watched the first video and loved it. Never thought to break the piece down that way. Thank you so much Leann!

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    • Hac we are happy to have you here and I’m excited that the video is already making a difference for you! 

      Reply Like
  • Hi, my sight reading is embarrassingly bad! I didn't realize how much I was slowly barreling through pieces that might be a bit hard for my level. Just started playing again this year after a 25 year hiatus and went straight for Chopin pieces I love. Would like to select something that would be relatively "easier" to be able to pick up quickly while applying the techniques taught here. Thank you Leann!

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    • Diane Shim maybe explore some of the simpler Chopin preludes/waltzes? They all have their challenges, but some offer brevity and a more repetitive structure, that might help in speed of learning? :) 

      Reply Like 1
  • Hi! Thank you for your very inspiring video about sight reading. I thought that when I sight-read something, I have to play perfectly as written, so I always felt so much pressure to continue to play it without stopping. Now, I understand that preparation is also an important part of sight reading. I'm going to start this way of learning in my daily practice.

    Reply Like
    • Yukiko Egawa yes, I struggled with the same thing. Once I realized sight-reading was not about playing everything perfect, it became so much easier. I hope this new concept will help in your studies :) 

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    • CK Lau
    • Piano Teacher, Learner and Student
    • br0wn
    • 2 yrs ago
    • Reported - view

    Hello everyone. I am so sorry that I joined in the group here so late and it's almost finished. Nevertheless, hope it's not too late for me to submit the 1st assignment here. 

    • CK  sounds good! 

      Reply Like 1
      • CK Lau
      • Piano Teacher, Learner and Student
      • br0wn
      • 2 yrs ago
      • Reported - view

      Natalie Peh   thanks for spending time to watch and feedback😉

      Reply Like 1
    • CK nice job! I would recommend taking smaller sections. In this recording, there are a lot of tiny pauses/hesitations. These little hesitations cause your hand to have a tiny bit of tension and “freeze” before finding the next note. Although not too much of a problem at this stage, this develops into bad technical habits that one would have to spend hours fighting against later. By taking smaller sections (even two measures at a time), you can avoid hesitation and save yourself practice time/frustration later on :) good work! 

      Reply Like
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    • Ask Me Anything - New Guests Every Month!
    • General Discussion
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    • Community Concerts!
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    • Upcoming Challenges and Two Week Intensives!
    • tonebase member concerts!
    • Live Discussion Archive
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    • Community Challenges
    • Beethoven Birthday Challenge
    • The Adventures of Anya Challenge!
    • Let's Play Schubert's Waltzes!
    • A Fresh Start!
    • The Practice Plan Challenge!
    • End of the Year Challenge: "Showcase Your Progress
    • Franz Liszt Birthday Challenge!
    • Unfinished Business Challenge!
    • Mini Challenges
    • Lyrical Miniatures: A Sonorous Journey feat. Grieg
    • Celebrating Tchaikovsky's Birthday!
    • Community Challenges / Challenge Archive
    • The Pillars of Piano Technique (Mini-Challenge)
    • Celebrate Rachmaninoff's Birthday Challenge!
    • "Music YOU Love" Community Challenge!
    • Finding Colors in your sound (Mini Challenge!)
    • Preparing your pieces for Concert - A Checklist!
    • Mozart & Haydn - Music from the 18th Century! 🏰
    • Improvising Classically with George Ko!
    • The Music of France!
    • "Improve your Technique!" Month
    • February: Discovering Schubert Month
    • Bach in March
    • LONGTERM ONGOING - Bach's Goldberg Variations
    • tonebase Community Concert Challenge
    • Brahms Waltzes Challenge!
    • Beethoven Variations Community Challenge!
    • Tonebase Holiday Challenge!
    • Liszt's Soirées de Vienne Community Challenge!
    • Handel G-major Chaconne
    • Mentorships and Two-week Intensives
    • "Phrasing like a Singer" at the Piano
    • Improving your Lyricism (feat Chopin)
    • TWI: Improving your Scales!
    • Crash Course on Controlling your Dynamics!
    • Intensive Workshop: Compose your own Piano Piece!
    • TWI: What makes Schubert GREAT with Ben Laude
    • Improving your ability with the Left Pedal
    • Improve your Cantabile Playing with Dr. Garritson
    • Improve your Chopin Mazurkas with Jarred Dunn!
    • Narrative Musicianship w/ Konstantin Soukhovetski
    • Improvising a simple ABA Piece with Jeremy Siskind
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    • Bach's Polyphony Intensive with Magdalena
    • Improve your MOZART sonata with Orli Shaham!
    • Improving your Sightreading with Leann Osterkamp!
    • Improve your Chopin Etudes with Henry Kramer!
    • Improve your Arpeggios with Claire Huangci
    • Improve Your Harmonic Analysis with Ben Laude
    • Improve your Chopin Ornaments with Jarred Dunn!
    • Improve your Scales!
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