Group 1

One of the most valued skills in music is having the ability to sightread with ease. That is because it aids in so many things: learning music quickly, being able to play with friends/colleagues on minimal practice time, and most importantly, being able to evaluate a new piece and its possibilities!

Join Leann as she leads a new Two Week Intensive designed to improve your sightreading through focused advice, tips, exercises, and more! Let’s start playing NEW music!

  • Course Period: October 17th - 28th
  • Class Size: max. 4 Groups á 10 Participants
  • Optional check-In via Zoom: October 24th at 3pm Pacific time!

https://us06web.zoom.us/j/89265945226?pwd=NS9iTEd0aFJ2ME03TUs1Y2tTaExYZz09

 

Assignment 1

 

 

Assignment 2

 

10replies Oldest first
  • Oldest first
  • Newest first
  • Active threads
  • Popular
    • Hac
    • Hac
    • 1 yr ago
    • Reported - view

    Hello everyone, I'm Hac and I look forward to improve my sight reading skill as I have a problem with rhymth and sometimes I got confused with the note names. So excited! I just watched the first video and loved it. Never thought to break the piece down that way. Thank you so much Leann!

    Like
    • Hac we are happy to have you here and I’m excited that the video is already making a difference for you! 

      Like
  • Hi, my sight reading is embarrassingly bad! I didn't realize how much I was slowly barreling through pieces that might be a bit hard for my level. Just started playing again this year after a 25 year hiatus and went straight for Chopin pieces I love. Would like to select something that would be relatively "easier" to be able to pick up quickly while applying the techniques taught here. Thank you Leann!

    Like
    • Diane Shim maybe explore some of the simpler Chopin preludes/waltzes? They all have their challenges, but some offer brevity and a more repetitive structure, that might help in speed of learning? :) 

      Like 1
  • Hi! Thank you for your very inspiring video about sight reading. I thought that when I sight-read something, I have to play perfectly as written, so I always felt so much pressure to continue to play it without stopping. Now, I understand that preparation is also an important part of sight reading. I'm going to start this way of learning in my daily practice.

    Like
    • Yukiko Egawa yes, I struggled with the same thing. Once I realized sight-reading was not about playing everything perfect, it became so much easier. I hope this new concept will help in your studies :) 

      Like
    • CK Lau
    • Piano Teacher, Learner and Student
    • br0wn
    • 1 yr ago
    • Reported - view

    Hello everyone. I am so sorry that I joined in the group here so late and it's almost finished. Nevertheless, hope it's not too late for me to submit the 1st assignment here. 

    • CK  sounds good! 

      Like 1
      • CK Lau
      • Piano Teacher, Learner and Student
      • br0wn
      • 1 yr ago
      • Reported - view

      Natalie Peh   thanks for spending time to watch and feedback😉

      Like 1
    • CK nice job! I would recommend taking smaller sections. In this recording, there are a lot of tiny pauses/hesitations. These little hesitations cause your hand to have a tiny bit of tension and “freeze” before finding the next note. Although not too much of a problem at this stage, this develops into bad technical habits that one would have to spend hours fighting against later. By taking smaller sections (even two measures at a time), you can avoid hesitation and save yourself practice time/frustration later on :) good work! 

      Like
Like1 Follow
  • 1 Likes
  • 1 yr agoLast active
  • 10Replies
  • 108Views
  • 8 Following

Home

View all topics