
From Sheet Music to Screens: Playing and Practicing with Music Tech

Today we explore how modern musicians integrate technology into their daily practice and performance. From using iPads for digital sheet music to leveraging apps for notation, recording, and real-time feedback, this shift enhances convenience, efficiency, and creativity. Whether you're a professional or an amateur, this guide highlights how music tech can streamline workflow, improve organization, and elevate the musical experience!
Follow this event link to tune in!
https://app.tonebase.co/piano/live/player/music-tech-advice-2025
We are going to be using this thread to gather suggestions and questions!
- What questions do you have on this topic?
- Any particular area you would like me to focus on?
Gear and links mentioned in the stream!
Duo Airturn Butterfly Page Turner
- message Dominic at [email protected] for contact info for purchase!
Continuity Camera (using iPhone as webcam/microphone)
TechMatte iPad stand (for pianists)
Airturn iPad stand (for other instrumentalists)
How to use AirTurn with âSwitch Controlâ on iPad (needed if not using above music specific score apps).
C-stand (for overhead cameras
-
Here's a question: I like the way the ToneBase instructors are able to display the score intermittently within their performances and presentations. Dominic seems to be able to do it in real time, i.e. the Screen displays his circling of an item or writing in fingering, while he is actually doing it. I'd like my recorded videos to be able to display the score from time to time. So, my Q is: How do you do that? thank you!
-
Iâd like to be able to make up a series of practice slides, with individual phrases of the music, so that I can hone in on particular problem spots. It would help me to focus intently on the bits I need to practice without getting distracted. It would be even more fabulous if I could annotate the slide as wellâŠ. Can I do this using forescore do you think?
-
Note to others with PCs who want to install OBS: it only works on Windows 10 and 11. I have Windows 10, but when I went to install it, I got rebuked: "you have to have Windows 10". It seemed on the OBS Forum that several others got this same error message even though they too already had Windows 10, with all kinds of elaborate high advanced tech solutions proposed. The solution for me was very simple: I literally had to close every other open program on my computer before installing. I had had a small File Utility program (ZTree Windows) open, and after I closed that (as well as everything else) it installed without a hitch. The installer "recommends" that you close all other programs before installing, but I had cheerfully ignored that recommendation at first, until I was thus duly chastised for my impertinence.
-
Excellent! Thank you, Dominic, for being so enthusiastically helpful and pragmatic! I wholeheartedly agree that simplicity is quite attractive when tackling technology so one's bandwith can be better spent on one's instrument. There's such a learning curve to learn new pieces, improve one's playing, etc. that to have another learning curve with technology can be daunting. It is inspiring that you have scaled that hill! And can so clearly and passionately tell others about the technology journey so we can travel it more easily. Many thanks!
-
Dominic gave a great summary of using the ForScore app. On the question of handling books with collections of works (such as an RCM book) or movements, once the book is scanned it isn't quite ready to be incorporated into either practice or excerpted for performance. Here's what I do after scanning the book and using "various" for the composer. I organize everything I'm focused on into Setlists.
1. Tag the new book with something from your classification system, for example RCM L-4.
2. Create bookmarks for the pieces or movements of interested. I'll add new bookmarks over time when I need to incorporate the material into what I'm working on. Bookmarks can span multiple pages if needed.
3. Create a topical setlist (the hamburger menu in upper left). For example: "Winter 2025 Practice" for everything I'm doing including technical/scales for this time frame.
4. Add to the setlist using the "+" within the setlist.
5. The right side of the screen will split into a sort of library view. I find things by tags and use that view of my PDFs. Looks basically like a computer directory folder structure.
6. Select any works to add to the setlist. Once added, the name on the right side will have a little dot.
7. Once finished, I usually notice by then that I have a lot of works with "various" as the composer, so I'll fix those. They can be updated either in the Bookmarks menu like Dominic mentioned or in the Setlist menu.
The same approach would work with the large Beethoven book in the stream or the D.C. pieces to always "move forward" as Dominic uses (instead of duplicating pages, etc.).