Week 4 – Play Through & Share

Welcome to Week 4 of the Romantic Music Challenge.

This week is about letting go of the microscope and trusting the arc you’ve built. You’ve worked through notes, texture, and character. Now it’s time to experience the piece as a whole.

 

This week, your goal is to play through your piece—or your chosen section—as a complete musical thought.

Practice Prompts

Choose one or two and explore:

- Play through without stopping, even if something goes wrong
- Decide where the emotional high point of the piece lives
- Notice where your attention drifts, and gently bring it back to the narrative
- Imagine you’re performing for one specific listener

 

Sharing for This Week

When you’re ready, share a recording of your full piece or selected section. Audio or video is welcome.

We’ll begin compiling submissions for our Romantic Watch Party on February 13, where we’ll listen together and celebrate everyone’s work.

 

Press record, play it through, and let it be what it is!

387 replies

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    • hot4euterpe
    • 3 wk ago
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    Had a hectic week so just got to recording the other two sections of the Nocturne today from memory.  Here they are:

    Section 2: https://youtu.be/OId7aUuPHPs

    Section 3: https://youtu.be/TJymt1o4OZ0

      • PViseskul
      • 3 wk ago
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       truly lovely sound, and I like how free your movements are - you made the octave passage seems so easy.

      • hot4euterpe
      • 3 wk ago
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       Thanks Priya! 

      • Unfrozen Barroom Piano Player
      • Peter_G
      • 3 wk ago
      • Reported - view

       Hi Dustin, it's been very instructive to observe how carefully you have worked out these sections to the point where they now sound very spontaneous and free.  I'd love to hear the whole Nocturne when you've got it ready.

      • Vicki_R
      • 2 wk ago
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       Heavenly!!.  I so enjoyed these sections, the dynamics, the 'frilly' runs, the strategy of sectioning pieces when learning, the committing to memory so as to focus on interpretation.  Inspiring!

      • hot4euterpe
      • 2 wk ago
      • Reported - view

       Thanks Vicki! I did a complete run through the other day and posted it below if you are interested to hear it all together. I appreciate your many compliments and I am glad the process has been meaningful to see.

      • Angela_Fogg
      • 2 wk ago
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      really lovely!

    • Astrida_Gobina
    • 3 wk ago
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    Hi! This is my version of Chopin Etude op.10 no.9. Unfortunately, I cannot do it without mistakes yet, but here it is as it is right now. 
    Thank you for this challenge and the wonderfully motivating four weeks of company in working on and enjoying music!

    https://youtube.com/shorts/XCsD-dggwps?si=44VcBeOPZMjvOC9E

      • Doug_Weiss
      • 3 wk ago
      • Reported - view

       Astrida, bravo!  Wonderful!  Very impressive.  I enjoyed this very much.

      Now just between me and you, what's the secret?  How do you play the f to c in the LH with 5-4 fingering?  And you do it looking very relaxed as if it's nothing?  This is a bit of a struggle for me.  I can comfortably do an f to b in the LH with 5-4 fingering but f to c is so tough.  And then to do it for nearly four pages.

      • Astrida_Gobina
      • 3 wk ago
      • Reported - view

       Thank you Doug! 
      I think I rotate the LH, but there is some stretch that needs getting used to as well.

      • PViseskul
      • 3 wk ago
      • Reported - view

       I totally agree with Doug here on your 4-5 LH ... it looks so relaxed and fluid, and I'm mesmerised by both your movement and the sound of the music!

      • hot4euterpe
      • 3 wk ago
      • Reported - view

       Well done Astrida. Great sighing figure in the LH thumb and clean trill figures and octaves. Has a driving, agitated tempo. Great to listen to! Thanks for sharing =)

      • Astrida_Gobina
      • 3 wk ago
      • Reported - view

       Thank you Priya! My teacher said he has never seen anyone play this with 5-4 in LH, but I somehow like the feeling of freedom and agility this fingering offers.

      • Astrida_Gobina
      • 3 wk ago
      • Reported - view

       Thank you Dustin!

      • Philosophy teacher and piano lover
      • Juan_Carlos
      • 3 wk ago
      • Reported - view

       Great playing, Astrida! It's a real challenge, which you've met with a moving, solid interpretation. 

      • Astrida_Gobina
      • 3 wk ago
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       Thank you very much Juan Carlos!

      • David_H_A_Fitch
      • 3 wk ago
      • Reported - view

       beautiful! 

      • Unfrozen Barroom Piano Player
      • Peter_G
      • 3 wk ago
      • Reported - view

       this is really great already Astrida.  It seems like this Etude is all about rotation and you've certainly got that covered,, showing us what good rotation looks like.  And I'm so envious of those beautiful long fingers and the relaxed (seemingly?) manner in which you navigate those rotations throughout.

      • Astrida_Gobina
      • 3 wk ago
      • Reported - view

      thank you! Yours is as well! 

      • Astrida_Gobina
      • 3 wk ago
      • Reported - view

       Thank you! I must say that my left hand actually gets tired after practicing. I have normally devoted one hour for this piece, but also not every single day to give my hands a chance to recuperate physically. Once details are done, I can generally play it through three to four times and then need to stop.

      • Claire.3
      • 3 wk ago
      • Reported - view

       this is beautiful! Your LH is so relaxed and the tone really even on those endless low Fs, I really enjoyed listening to it. Thank you!

      • Unfrozen Barroom Piano Player
      • Peter_G
      • 3 wk ago
      • Reported - view

       It's easy to see how this piece could tire out your left hand.  But now having learned it so well, it becomes the perfect piece for practicing and improving your rotation technique -- however one does that!  you can use it to focus on methods of relaxation and other physical mechanisms, without having to figure out the notes and the expression while you're at it, because you've already got those so well learned and under control, playing it very beautifully. Leave it to Chopin  -- even when he's trying to teach us technique he can't help but make beautiful music at the same time.

      • Noel_Nguyen
      • 2 wk ago
      • Reported - view

       I love your playing, and your fingering! I think Taubman would approve.

      • Victoria_Macdonald
      • 2 wk ago
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       Very impressive. Controlled, yet passionately beautiful.

      • Astrida_Gobina
      • 2 wk ago
      • Reported - view

       Thank you Victoria!

      • Angela_Fogg
      • 2 wk ago
      • Reported - view

      very lovely though!

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