Week 4 – Play Through & Share

Welcome to Week 4 of the Romantic Music Challenge.

This week is about letting go of the microscope and trusting the arc you’ve built. You’ve worked through notes, texture, and character. Now it’s time to experience the piece as a whole.

 

This week, your goal is to play through your piece—or your chosen section—as a complete musical thought.

Practice Prompts

Choose one or two and explore:

- Play through without stopping, even if something goes wrong
- Decide where the emotional high point of the piece lives
- Notice where your attention drifts, and gently bring it back to the narrative
- Imagine you’re performing for one specific listener

 

Sharing for This Week

When you’re ready, share a recording of your full piece or selected section. Audio or video is welcome.

We’ll begin compiling submissions for our Romantic Watch Party on February 13, where we’ll listen together and celebrate everyone’s work.

 

Press record, play it through, and let it be what it is!

221 replies

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    • Jarkko_Janhunen
    • 2 days ago
    • Reported - view

    Hi, here's my recording of Liszt Consolation nr 3. (A magical tune when played well 🙂.)

    https://youtu.be/OXNdWzZ9SdM?feature=shared

      • Philosophy teacher and piano lover
      • Juan_Carlos
      • 3 hrs ago
      • Reported - view

       Beautifully sung, Jarkko! With sensitive playing in a truly romantic piece.

      • Jarkko_Janhunen
      • 2 hrs ago
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       many thanks!

    • David_H_A_Fitch
    • 2 days ago
    • Reported - view

    Hi, here's my recording of a work in progress: Brahms' Intermezzo, Op. 118, Nr. 2. I've been trying to incorporate Seymour Bernstein's suggestions, but it's not easy. One thing that's great about these challenges, however, is that it allows one to deeply appreciate the composer's and performers' crafts...even if my lack of experience, training and arthritic joints seem insurmountable. Listening to everyone's music here is a total joy. Happy Romantics Day! And thanks Dominic--please feel free to excerpt whatever snippet you like (if any)--it's too slow and too long, I know.

    https://youtu.be/VThMcQ_0rnE

      • Victoria_Macdonald
      • 2 days ago
      • Reported - view

       You play this beautifully and with such feeling. I really get the sense you and I are aligned with phrasing, emotion, and which voices we want to bring out. Your rendition is a bit slower, but I do feel too many pianists play this too quickly. I adore Seymour, but I don't always agree with his approach here, it's can be over the top. Your love for this piece definitely comes through. Just keep playing and recording it. Here is another instrumental video I found very helpful:

      https://youtu.be/bypALczDNMI?si=cfflvNLOgax_b4hA

      Also, I wanted to suggest that you seem as though you're sitting close to the piano. Sitting back a bit might help free up your arms more. Just a suggestion. 

      • hot4euterpe
      • Yesterday
      • Reported - view

       Hi David, thanks for sharing! This is really coming along with delicate and sensitive playing. You color the different textures / registers well and draw attention to a number of special moments!

      • Philosophy teacher and piano lover
      • Juan_Carlos
      • 3 hrs ago
      • Reported - view

       So expressive, with a beautiful sense of freedom in tempo. Great playing, David!

    • Philippa.1
    • 2 days ago
    • Reported - view

    https://youtu.be/ko84MLETSGo

    Hello Dominic, thank you for this opportunity. I have attached a link to my submission. The piece is Sonata in G minor mvt 1 by Carlos Guastavino. 

      • hot4euterpe
      • Yesterday
      • Reported - view

       Hi Philippa - I loved this piece. I know virtually nothing about this composer so I just learned a bit about him while I listened. I will have to track down the music for this and add it to my studio.  Thanks so much!

      • Philippa.1
      • Yesterday
      • Reported - view

       Thank you Dustin, Guastavino is a wonderful composer

      • Philosophy teacher and piano lover
      • Juan_Carlos
      • 3 hrs ago
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       Love it, Philippa! Great music, a Southern feeling of genuine nostalgia. Thank you so much for sharing it!

      • Philippa.1
      • 3 hrs ago
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       Thank you so much Juan Carlos

    • hot4euterpe
    • Yesterday
    • Reported - view

    Hello,

    Here is my recording of the complete Nocturne in F# Op. 15 No. 2. I was going to keep chipping away at takes throughout the week but I realized I likely won't have any more time to do so, so this will have to be the one. 

    Dominic. thank you; this challenge was a nice motivation =) Please feel free to use this recording as my watch party submission (if you like). 

    https://www.youtube.com/watch?v=oKmr8Tgcgl4

      • PViseskul
      • Yesterday
      • Reported - view

       So much sweetness, warmth and tenderness in your tone. Those runs are just sparklingly delicious! And the middle section is exhilarating while your movement looks so effortless. Really enjoy listening to it ❤️

      • Hae_Young_Kim
      • Yesterday
      • Reported - view

       Wow!! You played the nocturne so beautifully and peacefully. Sounds Wonderful 👍

      • Vicki_R
      • 20 hrs ago
      • Reported - view

       Loved the emotions behind the playing.  And the technical runs.  I admire all those who were able to polish their pieces to this level within the month.  Beautiful playing!

      • Mom, fitness instructor, lover of music
      • Michelle_Russell
      • 15 hrs ago
      • Reported - view

       Wow! Beautifully played. 

      • Philosophy teacher and piano lover
      • Juan_Carlos
      • 3 hrs ago
      • Reported - view

       Extraordinary version of this gorgeous nocturne, Dustin! Deeply expressive.

    • Sachi
    • Yesterday
    • Reported - view

    Hi Dominic and everyone. Thanks all for the great work you have put into! Reading comments and watching your videos have inspired me enormously.

    This is short recording from Fanny Hensel: Mélodie op.4-2. She lived in the time when society put lots of pressure on women’s behavior. As you may already know, Fanny’s brother Felix Mendelssohn was as talented as his sister. 
    I wanted to give my gratitude by learning Fanny’s music. 
     

    https://youtu.be/IH97C880M0k?si=F5jqGoTpOBv9jBOF

      • Philosophy teacher and piano lover
      • Juan_Carlos
      • 3 hrs ago
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       A lovely miniature, nicely played, thanks for sharing, Sachi!

      • hot4euterpe
      • 3 hrs ago
      • Reported - view

       Wonderful ping on high RH notes! It was nice to hear someone play this. Definitely wish that she had been free to pursue composition with the same support as her brother. Despite her constraints though, she still has a remarkable body of work. Such an impressive person and artist. Thanks for sharing this clip!

      • Sachi
      • 2 hrs ago
      • Reported - view

       Thank you for warm comment! 

      • Sachi
      • 1 hr ago
      • Reported - view

       Hi, Dustin. I become more and more interested in composers lived lives. Fanny’s compositions are intimate and emotionally charged. Thanks for sharing your thoughts! 

    • Hae_Young_Kim
    • Yesterday
    • Reported - view

    Here is my record, Chopin Nocturne, Op 27, No2. 

    I wanted to memorize this music, but I wasn't ready for that. 

    It is somewhat disappointing that I made unexpected errors here and there. Hopefully I can play better next time. :-) 

     

    https://youtu.be/e4uS3p7lyO8?si=Nke6Buk_YqixF1ll

      • hot4euterpe
      • Yesterday
      • Reported - view

       Hello! I love this nocturne and know it quite well. You've done some excellent work! A balanced and secure LH is so important for all the syncopation that occurs in the RH and you have that well worked out. You navigate the thirds and sixths of the RH with light ease and you have an impressive fluency of the fioritura passages which includes one of the most challenging in all the nocturnes. The balance between the hands is consistent and your melodies flow well with sensitivity to the main changes in mood. You have really worked through many of technical elements of this challenging nocturne and it is clear to the ear that you are honouring many of the markings. Now you are at the fun part of adjusting tempo and rubato to further enhance your great work. 

      Really enjoyed listening to it =) Are you also learning the Op. 27 No. 1?  They are such a wonderful pair.

      • Hae_Young_Kim
      • Yesterday
      • Reported - view

       Thanks so much for your encouraging and detailed feedback, and for your explanation of this piece. As an amateur, I sometimes play without a deep understanding of the musical structure and flow, and mostly I just try to reproduce what I hear from others. If you don’t mind, could you share your thoughts on my tempo (I suspect it’s not entirely consistent throughout), and on my use of rubato—where you feel it works well, and where I should avoid or adjust it?

Content aside

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