Week 1 Goal “Pick Your Piece!”

🎹 Week 1: Pick Your Piece!
(Starting September 15th!)

This week is all about choosing your Chopin repertoire. Whether you’re stepping into Chopin’s world for the very first time or you’ve played his music before, the goal is to select a piece that inspires you—and challenges you just enough.

We’ve curated a list to help guide your choice:


🎹 Beginner-Friendly Selections (Level 1–3)

Perfect for players new to Chopin. These works focus on melody, expression, and clarity of touch.

  • Prelude in E minor, Op. 28 No. 4

  • Waltz in A minor, B. 150 (Posthumous)

  • Prelude in B minor, Op. 28 No. 6


🎼 Intermediate Selections (Level 4–6)

For players ready to explore deeper expression, voicing, and rubato.

  • Nocturne in C♯ minor, Op. Posth.

  • Mazurka in A minor, Op. 67 No. 4

  • Waltz in C♯ minor, Op. 64 No. 2

  • Prelude in D-flat major, Op. 28 No. 15 “Raindrop”


🎶 Advanced Selections (Level 7–8+)

For seasoned players seeking to embrace Chopin’s full virtuosity and emotional range.

  • Ballade No. 1 in G minor, Op. 23

  • Scherzo No. 2 in B-flat minor, Op. 31

  • Polonaise in A-flat major, Op. 53 “Heroic”

  • Nocturne in D-flat major, Op. 27 No. 2


✅ Your Week 1 Task:

  • Pick your piece

  • Comment below with what you’ve chosen (and why, if you’d like!)

  • If you’re unsure, ask for recommendations—we’re here to help!

This week is all about inspiration and intention—no pressure to start practicing yet. Next week, we’ll dive into analysis and interpretation with Eloise Kim.

Let the journey into Chopin’s world begin!

156 replies

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    • TT2022
    • 1 mth ago
    • Reported - view

    I’ll use this as an opportunity to beef up the Chopin Ballade No. 3 and/or Etude 10/1. I’ve learned the notes of both but want to play them far better than I do now, so this is a great opportunity to pick them back up again and dig into both more deeply! 

    • English Teacher in a Language State School
    • Begona
    • 1 mth ago
    • Reported - view

    Hi everybody, I am working on rubato and improving pedalling on Chopin Mazurka in A minor op 17 n 4

    • Lyn_Hoeft
    • 1 mth ago
    • Reported - view

    I will be playing Chopin Valse Op 64 #2 c# minor.  My teacher selected it for me and it's been fun and a beautiful piece to learn. It was one of my mom's favorites too.  I am hoping to get a deeper understanding of the piece, as expressed by Ben Laude: the "dark" A theme in c#minor vs the "light" C theme in Db major and a reoccurring B ritornello theme. 

    • Paul_Miller
    • 1 mth ago
    • Reported - view

    I would like to learn at least one pair of Opus 28 Preludes, major with its relative minor. I’ll start with E major and C# minor, then try to add Db major and Bb minor  

    • Wenona_McCormick
    • 1 mth ago
    • Reported - view

    I have chosen Etude Op 10,No 3

    This is my first step in learning all the etudes. 

    • Jaakko_Uljas
    • 1 mth ago
    • Reported - view

    Hei

    Olen aikoinaan nuorena soittanut valssia op 64 nro 2. Olen nyt eläkeiässä herätellyt soittoharrastusta uudelleen ja haluaisin kokeilla opinko soittamaan tämän vielä hyvin ja kauniisti.

    • Vanessa_Ellermann
    • 1 mth ago
    • Reported - view

    I am having a hard time choosing. I will either play Nocturne Op. 15 No. 3 or one of the preludes. I’d like to learn No.  18 or No. 21.

    • Gauthier
    • 1 mth ago
    • Reported - view

    I would like to try this Challenge with the Waltz op64 n2. I always wanted to learn/explore this beautiful piece.

    • Mary_Manuel
    • 1 mth ago
    • Reported - view

    Hello!

    I have chosen the Nocturne Op. 37 No. 2. I am intrigued with the constant key changes and contrasting dreamy sections.

    • Pamela_Kinnear
    • 1 mth ago
    • Reported - view

    Signing up...maybe a bit late, and I may not make it in the end because of some health issues, but I want to give it a try. I think I will work on nocturne Op. 72 no. 1 (E minor). Such a wonderful, interesting piece that ive always loved, but have never persisted through the "stuck" zones in some passages and need to bring out more musicality in my playing with it. Fingers crossed!

    • Patrick_Fleitz
    • 1 mth ago
    • Reported - view

    I really enjoyed the Debussy challenge so I definitely would like to be a part of this. I'll work on the Mazurka, op.63 no.3.

      • Have a growth mindset, no matter what!
      • Gail_Starr
      • 1 mth ago
      • Reported - view

       So happy you're here, Patrick!  Can't wait to listen to you (since you had to sit thru my 25/7 with Lindsay, LOL).

      • Patrick_Fleitz
      • 1 mth ago
      • Reported - view

      I enjoyed your Etude performance, Gail! :) I was so happy that you played.

    • Angela_Fogg
    • 1 mth ago
    • Reported - view

    What a fantastic selection of Chopin!

    I've chosen the Nocturne in D-flat major, Op. 27 No. 2. Whilst I've played a lot of the nocturnes I've never played this one. Not sure how far I'll get in a month but am sure I'll enjoy the journey.

    I almost changed my mind though after listening to this heart achingly beautiful version of it played by Maria Jaoa Pires -https://www.youtube.com/watch?v=Y7UTWYO25Y4&list=RDY7UTWYO25Y4&start_radio=1

    It's so wonderful....

    • Kakie_Roberts
    • 1 mth ago
    • Reported - view

    I would like to play the Largo (3rd movement) from the Sonata No. 3 in B minor. This is new to me… I first heard an excerpt from it on Magadalena Baczewska’s ‘Music for Dreaming” album. When I heard the entire movement, I was so profoundly moved, I had to learn it and now am looking forward to delving in more deeply.

      • Pediatrician
      • a_weymann
      • 1 mth ago
      • Reported - view

       I very recently learned that this movement has been called “Chopin’s greatest Nocturne”… they do have a point! 

      • Kakie_Roberts
      • 1 mth ago
      • Reported - view

       Yes… agreed!

    • Manishka
    • 1 mth ago
    • Reported - view

    Nocturne in C♯ minor, Op. Posth. Breathtakingly expressive...one of my favourite  pieces by Chopin

    • Andre_david
    • 1 mth ago
    • Reported - view

    Nocturne B major opus 62 no 1. Beautiful lyricism and late Chopin polyphony, amazing trill movement in the middle section

    • Grace.11
    • 1 mth ago
    • Reported - view
    • Mazurka in A minor, Op. 67 No. 4.  I never heard this before and somehow it grabbed my attention.  Not sure if I can do it justice as a mazurka - seems a quirky offbeat emphasis to me since I’m not familiar with the form.  Hope I don’t butcher it too much but I do love the melody and hope to learn a lot.  Excited to join the Tonebsse community ! 

    • PViseskul
    • 1 mth ago
    • Reported - view

    My first work in-progress recording on Etude 10/4 ... been working on it for 5 months now and only just started to memorise it 😅 more work needed to secure the middle section

    https://youtu.be/u6f-_8UU1pM

      • Andrew_Smith
      • 1 mth ago
      • Reported - view

       Congratulations Priya! You have clearly practiced this with a lot of care. Each section flows and looks controlled and fluid. It seems to me you are ready to start increasing the tempo and "let go" a bit more. Your comment on Youtube also mentioned arm fatigue --that probably shouldn't/won't happen if you can release your forearms and hands through each little phrase. Also, do you have access to a grand piano? The weight (although likely heavier on a real piano) and bounce of real keys may be less tiring than on a digital, because the keys push back up against the fingers on a real piano. 

      • PViseskul
      • 1 mth ago
      • Reported - view

       Thank you very much for your feedback! I definitely need to work on releasing the tension from the forearms esp as I'm trying to increase the tempo. I have started being more discipline on rhythm and different articulation practise and that seems to help. I think I'm still pushing the keys too much ... maybe it's the combination of playing fast and loud, and on digital with low volume setting (I practise wearing headphone maybe 90% of the time) ... less rebound, the sound is not big enough etc so I'm probably compensating ... I should practise playing very light staccato a bit more. My weekly piano lesson is the only time I have access to a grand piano.

      • Andrew_Smith
      • 1 mth ago
      • Reported - view

       Thanks for your reply, Priya, and wishing you best of luck with it. I hope you can find a way to get to a grand piano more often. But I have practiced several Etudes on a Clavinova, so it's a decent starting point. But/btw, percussive chords on the digital keyboards are hard on the wrist/tendons because there is no bounce--it's like slamming into a table over and over. 

    • Educator
    • Denise
    • 3 wk ago
    • Reported - view

    Is it too late? I have been working on Chopin mazurka Op 17 #4 since saturday?

Content aside

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