READ ME and POST HERE!
WELCOME TO OUR LATEST TONEBASE PIANO COMMUNITY PRACTICE CHALLENGE:
Mini Challenge: Finding Colors in your Sound!
We invite you to participate in this mini challenge leading up to a livestream on
March 8th at 11am PT with Boris Giltburg
Enter a World of Color with Boris Giltburg
Get started in this challenge by:
1. Picking a piece of music!
2. Posting an excerpt of the piece, and describe the color that YOU feel in the music.
3. (optional) tell us how you are trying to achieve this color!
Example:
1. Debussy: Prelude (Bruyeres)
2. I am trying to capture a "sky blue" color in the beginning! Because I find the music to have such an open quality (plus I am imagining an open plain, without a cloud in the sky!)
3. I am trying to achieve this by focusing on a slow attack, and washy pedal (but not muddy!)
When does this take place?
Challenge start: February 27th
Challenge days: February 27th - March 8th!
Why are we doing this?
Because we want to challenge ourselves to practice every day
Because learning together is more fun than learning alone
Because we get to share our progress with others (whether video or just text)
Because new music is wonderful and these pieces were written especially for us!
Because we want to meet our fellow tonebase community members
Because we get to hear new music which we might not play ourselves
ASK ANY QUESTIONS YOU MIGHT HAVE BELOW!
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Here’s a practice video of Rachmaninoff’s Prelude opus 32 no. 12. I’m trying to capture the beauty of varying shades of gray with occasional splashes of brighter colors, only very momentarily. The mood is a bit like the ebb and flow of a tide, with lots of smaller ripples in between. Another image I have is a gray, misty night with a lighthouse, sometimes crashing waves, and the distant call of sirens.
The two things I want to work on — more rhythmic precision, and clearer pedaling.
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I’m working on Rachmaninov’s Prelude in D Major Op. 23 No.4.
It has an introspective mood with a shroud of mystery. The bass/left hand envelopes the melody with a range above and below the melody creating that shroud of mystery. I feel it should be like an undulating veil in the wind, and even with the jagged shapes, there should not be any sharp corners in the first section.
First section:
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Hello!
I’m studying the Etude op.10 no.4 by Chopin.
What you’ll hear is the first part of this Etude.
For me, this piece is a little frantic. I think very unusual of Chopin. So, I’m trying to exaggerate the dynamics of the piece as well as… Making the piece sound grandiose. With a big sound :)
I know it lacks tempo. It’s not there yet. But, hope you enjoy it.
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My excerpt is from Rachmaninoff’s Prelude in G Major (Op 32 No 5). This piece creates so much imagery for me. In the first half of the prelude (my excerpt), I imagine a tranquil glen in the middle of a forest. There are deer, rabbits and other woodland creatures relaxing on the soft green grass. There is a small stream running through the glen with birds enjoying the water while fluttering their wings. The sun is shining through the trees. Everything is calm and tranquil. In the next part (not in my excerpt) everything suddenly changes and becomes dark and agitated- a feeling that maybe a wolf or some predator is about to intrude. But after some worry, it is just a false alarm and the animals return to their peaceful time in their secret glen. As far as colors, I see green (grass), blue (water) and yellow filtering in (sun) when everything is good. This gets interrupted by gray/red with the predator and worry. Then back to happy colors again.
I am working on trying to keep a calm left hand and bring out the melody in the right hand. I am using the una corda pedal and also a lot of right pedal. There are tempo/dynamic changes to depict what is happening in the forest. G Major is so tender/sweet to play and helps a lot in the color and imagery.