Sight-Reading Strategies
Join Chelsea Tanner for a livestream all about how to improve your sight-reading skills! Sight-reading can be scary, but it is a practicable skill you can develop just like any other. This class will cover strategies you can use to improve your skills so you can learn music faster, and feel more confident when sight reading in any situation!
Follow this event link to tune in!
https://app.tonebase.co/piano/live/player/flt-sight-reading-strategies
We are going to be using this thread to gather suggestions and questions!
- What questions do you have on this topic?
- Any particular area you would like me to focus on?
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HI Chelsea,
Could you tell me who this course is geared to? I would say I am an early advanced pianist (no late Beethoven sonatas!), and I don't need tips like a line to a space is an even-numbered interval, and a line to a line is an odd-numbered interval. I have played tons of four-hand music in my day (I'm 72) and I am very comfortable in that realm, but when I sit at the piano to sight read a solo piece, I lose all confidence, and stop and start constantly. My technical ability is far greater than my sight-reading ability, and I think it's a matter (for me) of instilling trust in myself to force myself and look ahead and be confident that my brain will remember what I just saw and actually be playing not what I am currently looking at. Will this course be for me? Many thanks, and sorry for the long-winded question. Best regards, George.
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This time clashes with the travelling time for a dance class on Rhumba. However, I might plan to drive earlier to the dance class and then log into this session from the venue.
I am now 74 and am fairly ambivalent about the pressure that younger musicians have regarding sight-reading, which is largely economic in my view: fewer rehearsals are needed if your instrumentalists are expected to play a concert after one rehearsal where they sight-read everything at that single rehearsal. Six weeks rehearsal for a concert is probably excessive but somewhere in between, say 2-4 weeks, seems reasonable. It costs (much) more but the experience may well be better for the musicians and the audience.
I say 'much' because a figure given recently at Saffron Hall in Essex, a local concert hall that seats 740 people as £120 for each seat at an orchestral concert. These seats are subsidised hugely somehow as the top price seat is around a half of that cost!
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Hello Chelsea,
I have been working on my own through the Helen Marlais series of Sight reading books and have just finished level 3B. I have found it has made a difference in my ability to read music but I am looking for ideas to make my learning even better as i have not been doing this with my teacher. Thanks!
Janette