Talking about Piano Books
Sometimes we talk about piano books in our daily forum commentaries, but we have not a place where we can make a collection of our book recommendations to all Tonebase pianists. So, my suggestion is that we share here a brief review about these books that we have read in relation with our love for the piano.
What kind of books are we talking about? Of course, not only books of piano technique, but all kind of books: history of the piano, biographies of composers who are strongly related to the piano, novels in which is relevant its presence one way or another and so on... In two words: piano books.
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"Playing the piano for pleasure" by Charles Cooke
Among many suitable possibilities to open this section, I have chosen a classic book known by many piano lovers, but that it deserves to be here. The main reason is that I think all the amateur pianists that enjoy Tonebase could deeply identify with the philosophy of the book expressed by Charles Cooke in the preface:
"Remember, you amateurs are more fortunate in your playing than most professionals are in theirs. For you there is no grim grind of practicing; no exhausting burden of responsibility; no fierce competition; no endless facing audiences regardless of the condition of auditoriums acoustics, or the state of your soul. For you the work is pleasure, as all hobby work is by its nature; the results a satisfaction to yourself, your fellow hobbyists, and such sympathetic listeners as you may find..."
You see, more words would be needless. Just tell you about some of the topics covered: suggestions about repertoire, transforming weakest passages into strongest, memorizing, sight reading, scales, arpeggios and special exercises... But above all, an inspiring message for amateur pianists.
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"Music Comes Out of Silence" by András Schiff
Since nobody writes about piano books , I will continue writing
This time I want to share my admiration for András Schiff and his book "Music Comes Out of Silence". It contains a set of conversations with Martin Meyer (a Swiss author and journalist) and another set of essays, analysis and portraits that Schiff writes about his favorite works and composers.
A lot of interesting information the reader can find here. First at all, the knowledge of the personality, points of view and fine sense of humor of András Schiff. Besides his comments about his musical formation, teachers, Hungary political and educational context of his early years, more interesting if possible are his personal opiniones about composers like Bach, Mozart, Beethoven, Schubert, Chopin... And, between them, Bach is the gravity center of his refections: the million of colors to be discovered in the huge keyboard legacy of Bach; the sustaining pedal as "deadly enemy" of the clarity of execution (one of Schiff's favorite sentences: senza pedale ma con tanti colori); a guided tour through the Goldberg's Variations and so on.
It is impossible to summarize the content of the book in a few words. Just a piece of advice on what should preside piano practice (the development of a "third ear"):
"No time-wasting! Concentration and intelligence! Nothing mechanical, nothing motoric! (...) The art of playing the piano consists of achieving the best possible distribution or balance of the voices"
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I just finished Jeremy Denk's memoir Every Good Boy Does Fine and enjoyed it very much. Some people do not like his snarkiness, but it didn't bother me because it seemed honest and much more realistic than some of the more sanitized pieces of writing out there. He's a good writer and talks a lot and deeply about music, not just about himself.
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What a wonderful topic. I ordered the Andras Schiff book for my son (Thurmond - y'all have seen him on TB), who watches all the Schiff videos he can get his hands on.
Not a book, but Thurmond has been perusing copies of "Etude Magazine," which was published from 1883 - 1957. Many (maybe all) of the issues are scanned in and available free online. The ads are especially enjoyable, but many articles are informative and interesting.
He thoroughly enjoyed CPE Bach's "The Art of Keyboard Playing," and is currently enjoying "Playing Bach on the Keyboard: A Practical Guide" by Richard Troeger.
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How about some fiction?
Body and Soul by Frank Conroy: The author is not a musician, but he captures every myth and anecdote about growing up to become a performing pianist. Fun to read, especially for someone who has struggled with piano lessons. My only criticism is that it seemed a bit too easy for the hero - I wanted a bit more struggle. Still, a great read.
Madame Sousatzka by Bernice Rubens: Another story about coming of age with piano lessons, but this one centers on the mysterious teacher, Madame Souzatska. A great read, which was made into a movie starring Shirley MacLaine. They changed the book for the movie (don't they always?), but still both are worth it.
Clara, A Novel of Clara Schumann by Janice Galloway: Galloway is a great author, and she does a fantastic job with a fictional account of Clara Wieck Schumann's life. There are lots of fascinating details imagined by the author. It is a story of the men in her life too, from the contentious relationship with her father/teacher, to her love affair with Robert, Robert's slow decline through illness and madness to his death, and her friendship with Brahms. It's a bit grim at times. Clara was definitely an iron lady.
The Final Retreat by Stephen Hough: Not a novel about a musician, but a novel written by a musician. A Catholic priest struggles with his homosexuality. Well written and gripping, but not a book that you read to cheer up...